Category Archives: Inspired Eye

The iPhone 5 Is In Da House

First off, here’s a few from the other day just to set the tone of this post and every post for the future of mankind and cameras….well, let’s not get carried away but I am a very happy camper.

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The above are with the Mighty Pen 3 and 14mm. I know, the Pen3 is an antique sensor and I’m nuts for using it. Well, that word nuts describes a lot about me and my thinking….. So, if your really a shooter you understand the Mighty Pen.

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The above 2 are the iPhone 5 in color. I did use my Presets and will tweak them again but so far, so good. I could be tempted to just use the iPhone for a while and I will do so, without using any other camera for about a month. This is not easy because I have a very good working relationship with all my cameras. Nontheless, a month will be sufficient to get to know the camera in the phone.

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Listen my friends…..I know all about pixels, grain, noise and all the other negative things people dwell upon and go crazy. Unfortunately, I am into the image. That being the case, my priority is and always will be….the image I see in my head or discover in front of my eyes.

I am not ever going to be ruled by the conventions that gear heads live by if they are not image makers first.

 

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….to be continued…….

Some more stuff from yesterday

I didn’t have time to process everything yesterday. Now that’s a funny thought to me. I used to run home and soup my negs. Then plan when I could print. There was never enough time to get it all done. Now, with digital…here I am again. I just can’t get it all done.

A few photos demanded my attention. Not just esthetically but because they were perfect test images for my presets. Yeah, yeah….a new set is being cooked…..without onions.

Yeah, of course …. heavy discount code for followers and from Magazine subscribers etc. I’m not here to sell anything, I’m just explaining about these images.

Example # 1.

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This is from a version of “Afterlife”. Great preset, I bought it, it’s so good. Sometimes I need to adjust the highs down a little tiny itty bitty bit. ……. then the shadows sometimes need a little raise …. well this is about that.

It’s how I feel when I am in a scene that has a certain light in it. Of course the scene itself must work and this does to my eyes.

 

Example # 2.

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I like GRIT…. GRIT = LIFE!

I had no choice but to make this photo. The entire scene just called to me. When I saw her sweater and the patterns against the windows and buildings…..well….CLICK!  This is from a preset that is modified from a released version named 8th St.

 

Example # 3.

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Can you believe Olivier? I work soooo hard for many hours, daze, weeks etc just to get a preset pack the way I want.

Da kid….yeah da kid comes along, takes preset 7th St Color and makes a variation and by Jove…..it’s great. I ain’t no fancy dancy color shooter. I’m just a regular B&W shooter that has a fancy for what I have a fancy for.

This preset is the basis for the new color ones in the set. I can’t give him credit cause I’ll never hear the end of it but he done good.

If you want to try a few to see if they work in your work flow, drop me a line anywhere and I’ll get a few to you. No charge for the pleasure of doing so.

 

The Task Of Seeing With A Camera

……….I know, I know…I musta been crazy. It’s just a hard habit to break. I went downtown this morning , yeah…yeah…Market Street. I wanted to work the iPhone and learn how it sees and teach it how I sees. Let’s put things in perspective. We all love our cameras…yup, even Wouter and Jorge. Chances are if your anything like I think you are…you use the phone more then the cameras.

So I looked at the phone on the desk……iPhoney said to me….you ain’t got the gutz to go without a camera. It was right on the money. I grabbed the X20 and a small lens brush and that’s that. Walker’s hanging around my neck on the Luigi Braided Strap. He likes the Brown Braided better then the Black standard.

Iphoney is in the back pocket of my jeans, I have a battery recharger for the phone and that’s all.

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X20

The X20 is an amazing camera and we get along fine. It has a sense of humor but it’s not a trickster. It has never let me down and I’ll probably never fall out of love with it……at least not yet.

The phone has a nice presence when working. I carry it in my hand and I started doing a few things to throw the attention away from it’s lens. I only raise the phone when getting ready for a photo. I do this slowly because I do it slowly. Then, I press the release and wait until it’s time. When I raise the camera, I sometimes scratch my arm and then the subject does not see the picture being made. I’m still experimenting but I learned something today.

I have a new camera to work with. I feel guilty in a way because I took the X20 also and I never cheat on a camera or anyone. I’m a monogamous shooter.  I should have just taken the phone and I will once my extra batteries arrive.

I look at my photos and it’s hard to tell which is from what camera. The task of seeing with a camera is now underway but the results are very exciting and promising.

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iPhone 4

Have a great weekend and thanks for reading my thoughts.

shooter out………………………………………………………………………………………………………………………………………….

Olivier Told Me I Was A 63 Year Old Hipster.

I do not can know if I should be happy or well…that’s an ugly thought. See, Olivier is much younger than me and he has these ideas that well, maybe at times they could be called exciting.

So I’m off to the VA Hospital again because my Electrolytes are as high as Duane flying in his aeroplane. Now here’s the thing. I always carry a camera. Olivier said I carry a camera all the time and don’t use it. Never I said. If I carry, I use.

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The guys a bad influence. He suggested that I use my iPhone 4 and not carry any other camera. I mean to tell ya….this is much easier said then done. I left the house and just carried the phone. It felt natural cause I have my phone with me all the time.

I kept reaching in my pocket for my camera but alas….empty. So I committed to getting this going.

It took about 1/2 hour to get the camera to be non-intruding.  It’s almost a true Point n’ Shoot. I use the widest lens FOV and the release technique for capture. The phone has great DOF so I pre-focus about 5′ in front of me….then I press the shutter release but I don let go until I frame and the moment is right. The ya just release and the camera does it’s thing.

 

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All in all, it’s not a bad way to work. I managed to get very close to people but those shots Olivier is using for an article.

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Once the camera stuff is out of the way, it’s time to go to Lightroom. That was cool as I’m already designing Presets for Mobile cameras.

Do I think that my iPhone will take the place of my cameras? No. Just like I choose what camera to take on a shoot, I now just increased my choices by 1.

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There’s a lot of photos out there and even inside and such. We should stay open minded as to what camera is best to use for any given session. One thing doesn’t work for me. A lot of times I carry my camera and make photos using one hand. The other hand has my phone in it and I pretend I’m talking to someone. It’s a very good way to disguise what your doing.

 

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I promised Olivier that I’d make an honest effort to use the iPhone as a camera. At first I was reluctant but I’ve come to see the light, once again.

It’s not a hard thing to pursue. After all, a camera by any other name is still a camera. Which brings me to an important point.

What Name does this camera get.

 

The Fuji X20 as a Street Camera…..Part 2

I ain’t no fanboy, can’t be ’cause I don’t know what it is.  Just cause I was a Hippie in the 60’s, don’t mean I’m Hip enough now to know about these things.

Let me start by saying what I really hate about the X20 on and off the Streets. It…….hmmmmmmm?

So now that that’s outta the way…here’s some more things I like about this camera. Now bear with me here and keep this between you and me. I don’t want this getting out. It’s got this zoomie lens on it. Shame, shame Shooter….a ZOOMIE?

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Now I ain’t one to spread rumors and such but this here shot was at I think 112mm. I know, I know…..a tele shot, in color! Well, this was on the way back from yhe VA…so that’s my story and I’m sticking with it….

The X20 has a wonderful lens and to go with it, extremely fast, accurate Auto Focus…at every focal length. Put that in a small compact camera with great Image Stabilization and you have the making for a wonderful camera. I don’t use the viewfinder but I like it. I didn’t use it above but should have. I forgot about it because the screen is just so good.

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On or off the street, this camera is very cool. Look, here’s the thing. I am a shooter. I have been for almost 5 decades. I learned one thing that I never forgot or even got complacent about. The IMAGE!

I love photographs. I love mine, that’s woman’s over there and yours. I don’t need all kinds of things in a camera but I do need a camera to be an active part of my creative process. I need a camera to help me capture the image without intruding on my vision.

There are many cameras that can do the task at hand if….one takes the time to form a collaboration with the camera. I am in the process of adapting the X20 to my process. Unfortunately, this camera can’t ever be a tool to work with. I feel bad about that but I must say that my cameras are not tools, they are my friends and work with me to make the images I get credit for.

Every camera that I thought about being a tool, well…..they were put on eBay.

I normally keep the X20 on 28mm. It just feels natural to me and that in itself is a pleasure. As I stated on my last post, I set the camera to MF and use 4′ as my focus distance at 28mm. I use f/5.6 but am covered from f/4 – f/8.

The Raw files convert to B&W or Color easy. Of course I use my Presets and they are tailored to my vision and my camera’s files.

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This is a real serious street camera. It’s very compact, very fast and above all….it reconfigures on the spot.
This shot above…. I was coming out of the Trolley tunnel, the camera was set to AF at f?2 because I was in very low light. As soon as I saw this scene develop, I was able to in a matter of seconds to get the camera set and make this shot. I love the little man on the man’s head…..

I’m weird but have cool cameras……..

Later….don

 

The Fuji X20 as a Street Camera…….and More

This is not a review, well, not a traditional review. These are my thoughts and findings on the Fuji X20.

With any camera that I use and hopefully end up keeping, I need certain things from it. The most important is…..the non intrusion, don’t bug me when I’m working, I’ll adjust you when I need to thing. Yeah, that’s a big sentence with a whole lot of meaning. The X20 is up to the chore. As my feelings respond to the street, so must my camera adjust to those feelings. I need to be able to change working settings without hassle.

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With the camera in Manual Focus, the focus scale is tricky. Do not pay attention to the DOF marks…they are so wrong. The actual focus mark is close. So, I set the focus indicator to 4′.   At f/4,… f/5.6,… f/8,… I get around 3′ or less to about infinity in very acceptable focus. Of course this is using 28mm. I may try DOF settings at other focal lengths but not for a spell. If anyone else has tested and has settings….I’d be glad to post them and give you credit.

I would also give you free copies of the free magazine.

The Auto Focus is very fast and accurate. From 28mm to 112mm, the focus is almost instantaneous. The AF Target Box is very easy to change size. This is very important to me as I change it to suite the light and movement.

Just click the control wheel up…then use the jog wheel to adjust size. Can’t get easier or better than this.

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The finder works very well and I tested it so that I know what it sees. It’s nice and now that I know how it works, I can forget about it. The screen is where it’s at…for any camera. Here’s a very cool thing. Sometimes I shoot chest shots. The camera is on a neck strap and hanging around my neck against my chest. The sensor turns off the screen and saves power because your shooting without the screen anyway. This is real nice to save power and also if your in a darker area, no light from the screen.

I go from neck strap to wrist strap in a flash. I use the Le Hook and that’s as fast as it gets.

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It’s Sunday morning… 0755 and I need more coffee and I have to mow the lawn. I’ll take the X20 with me cause it’s a great macro shooter also…..

to be continued…….

1st of May Walkabout Philly Photo Shoot Day….

…….hold on a minute dude…….. I’ll bring my friends up to par. See, I have a one on one this morning with Randy. Ok….

Randy…..your camera has to be at the ready…… I take Randy’s camera and look at the setup……we are on the magic escalator at the FTC…..the light there waits Click! for no one…..

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….Randy ask me how I saw and made that photo in just a second or two. Randy, that’s why we are here together so you can forget everything and start using what you learned.

I have to admit, the X20 was ready because I know where I’m at and what I can find there. He thought that the X20 was really a cool fast camera. It is and so is the GRD4, the Pen3, the 5D11 and the Canon G9. It’s about setup Randy….all the people reading this know that and never have an issue getting that decisive second.

Click!

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So Randy has a real nice Nex 6. Nice camera. I tell him to learn to use the screen…..I mean he’s looking at the finder all the time. USE THE SCREEN Randy! See that guy right above these words….yeah, that’s him….I saw at the moment before exposure,a photo. Now I won’t use it for myself but workshop time is here and I will use it for that.

Randy saw the import into Lightroom and the magic of the preset…..one click and that’s what is up above. So I answered all the questions Randy thru at me and I helped with the setup and he is happy. I asked about breakfast and he said it was on him…..05-13-0018

We ate at my unfavorite grease pit and all was fine for a 1st of May Day Walkabout Philly Photo Shoot.

Ya know, sometimes I make regular street photos also….like the guy above…..no…he doesn’t make photos…he makes a photo….See the arm action and the posture…tell tale sign of a photo.

More sane craziness later………

Rainy Day Bluez…….and the Fuji X20 is My Friend……….

No! I’m not starting to do color for myself. I am in the process of making Color Presets that make an image feel the way I want it to make me feel. That’s not an easy task because I’m really not a color shooter.

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The content and intent must be supportive to color and visa verse. So I just shoot what I always shoot and let the color pixels fall where they may. I don’t think I’d want to be a generic anything at anytime. So I make things the way I live them.

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Take the photo right above…..yeah, that one. See, I was just doing my thing looking for whatever I look for. Then without thinking too much, I raise the camera and breathe and then Click! I was thinking that I liked what was going on. The girl seemed so caught up in her femininity and that of the heads.  I didn’t think about color or black & white until I got the images into Light Room.

Then of course I realized that I am in the process of designing color presets. So, heck….let’s try it. By Jove, I think he’s got it!

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It should be noted that the camera in my hand was the Fuji X20.  At no time did it speak to me or cause any intrusion. I don’t treat my camera as a tool. I treat is as my companion on my photographic journey.

More tomorrow…..Good Nite Wouter…..Good Nite Jorge……….

………of course the camera has a lot to do with it………

Many of my friends are writing on their blogs and in forums etc that it’s the shooter and not the camera. Well, not to be argumentative but I probably am as my wife definitely thinks so….. all the time. See the camera is much more important then most realize.

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Barsik (the best muse I ever met)

It’s true that ones vision is the main ingredient in photography that needs the most attention. You can read fancy books, go to school, take workshops, classes whatever you like and it’s mainly about your vision. It should be….until you go to WORK!

Here’s what I teach. There is a process to anything, even drinking a beer. One should be totally into the here and now during the process in order to get the most out of it.

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So lets move along and go to work. We will analyize the process of making photos. Now please don’t think there is only one way or even my way. My way works for me and I really don’t want you to do it that way….I’d rather you find your own method of working.

(the camera Don, get to the camera part…..) allright, allright.

Your on the street. Your eyes are like that of a hawk. Your walking and your in step with the life that surrounds you. You can smell the perfume from that young lady……over there,…to the right….you smell the exhaust fumes from the buses and the cars etc.

Your camera (I hope you named your camera by now)… is in your hand just waiting to respond to your every whim. Sorry, the guy over there has his camera on a neck strap….that’s fine…… ok….

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You can feel something on the horizon but it’s not yet….just a little bit further down the street….

Then, out of nowhere this lady walks out towards you and the light behind her is perfect…click!

You didn’t get that, geeze, why are you fiddling with the controls to set exposure? You, over there…see…you raised the camera to your eye and she saw you and well….. there’s a million things to come between you and your photos. The one thing that can’t be tolerated is your camera. So if the camera is just a tool, then go hammer a nail with it.

 

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Your camera must be an extension of your process. You must have a friend that your working with and not an intruder that just causes lost images. You should be able to make an adjustment in just a few seconds. If the camera is not an important part of your work, then your probably just looking for a scapegoat for you shooting failures. Yeah, this is heavy do do. It’s easy to say, my camera is a pain to work with.

The point is, you have to take responsibility for your choices in camera acquiring procedures. I have a Pen3 with the 25 lux and the 14 2.5. The Pen3 is a very good camera to work with….for me…. I can go back to around 1967 and I didn’t like SLR’s. I just didn’t like the form. I still don’t. I loved Leica M’s because they worked so well.

Flash to 2013 and I still feel the same way…almost. I had the Fuji X10 and really loved the camera. It reconfigured in a flash. Well, I never got a single RAW file to be processed the right way. I have all the goos processors..I make presets, right. I make photos right!

Now the Fuji X20 is at home and it does RAW like I love clams. The point is that this these cameras are mine and I use them. The offer no intrusion to my process, especially on the street.

I beg to differ with my friends. I state here and now that the camera may be a tool to them but to me and my readers….bunk. It’s an extension to our vision because we chose the right one……

No go and sit with you cameras and come up with names….cameras like names…..well…I do take meds for this sort of thing but my wife states that they ain’t working……

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I saw this dude on my ride home.     Dude didn’t see me on the ride home.

 

 

More Preset Madness

Yeah…yeah! I’m stuck on the computer doing presets. Well, I’m really stuck on 2 computers that refuse to co-operate with me or each other. Me poor brain is starting to think in terms of color. My brain, not my mind. But I must admit that working in color is teaching me lot’s of things.

Oh yeah…. I’m learning what I already know. I don’t like color but I do like making the presets.

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So because I don’t really care for color, I have to find a way to trick the ole’ brain into thinking it likes it. I have sent some of these presets out to shooters and have all good responses from them. I guess that means I might have my brain fooled.

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What I am doing is this. When I work, streets usually, I see the world in color. It’s not my idea but they put color in everything. So, in my brain, I reprocess the image in front of me to be in shades of grey. This of course is happening in the mind….now enter my cameras. I have them all to have a B&W screen. If they can’t do that….they belong elsewhere.

So, if I take the color out of the scene and then make a B&W photo the way I want, then add color to it with a palate I can live with….I get what I have up top there….. see those up there……

 

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I do this for those that like the color presets….for the rest of us……. up there is where it’s at….

don