Andre’ the Leica M240 and i was out on Market Street. We were walking at a nice comfy slow pace for 2 old guys. Actually I’m older than Andre’ but his lineage predated me so, we are equal. One should always be equal with their camera. One should always be equal with their process. No matter how hard one tries one will never be equal with life. What does this mean? I’ve talked about stance before. Stance is how you are perceived by the world. What you do and how you do it effects your stance.
Well everyone on the planet has a stance. For shooters the stance is crucial to making photos. It’s not just about how you work your stance but also just as important… how the world and the people in the Frame work their stance. and how you perceive that. Of course this is all reality based. I mean that mostly things are tangible and thue we can accept them or not. Even if not, we can grasp what we not accept.
What about things not tangible. Things that exist but maybe in a different state of being. How about thoughts? What dimension are thoughts? So the way I see it is, thoughts, emotions, feelings all manage to effect our stance. Our stance has a direct relation on what and how we make photos. It has the innate ability to conjure up dreams. These dreams will flow into your thoughts. Your thoughts will seek the affirmation of being real by trying to find photos.
When you find your photos they may become a catalyst to create thoughts and those thoughts can trigger dreams. This is an example of the photographers concept of Reciprocal Energy.
Anyway, Andre the Leica M240 and I were out making photos. I mentioned this at the start of the post. For as long as I can remember, I have been drawn to isolation, loneliness, detachment and other emotions similar to these. I suppose that I am seeking my self out there with my camera. I think I find pieces of me in the photos I make. Maybe the photos are more me then I care to admit. This is of course a very personal situation and I understand the position this places me with my work. I kinda think you, yeah YOU the one reading this has a similar situation.
So I look at my photos and many are the catalyst for my Dreamcatcher work. When I sleep, which is never long, I may see these photos in my minds eye. It’s better than the nightmares that usually haunt my mind. When I wake, perhaps when I’m out working, the thoughts from the dreams manifest in my vision and I seek to satisfy those thoughts.
The energy a photographer acquires and uses is the driving force of his/her vision. Un-Photographers walk around and see things and most does not penetrate the mind or heart. Photographers see things and make photos of things. When the mind processes these images, they become a part of your photographic value system. You can not escape this reciprocal energy. Fight it as hard as you may and you will lose every time. These thoughts are what make you and your work unique in the universe of photography. They give birth to your photos. They keep driving you to find the next photo. They bless you with a photo that sings a song that Mother Light smiles upon. They don’t happen very often. We don’t want them to anyway. They would dilute themselves into excellent mundane photos.
The beauty of the Mundane is that it makes contrast to the excellence of the Unique. They say and I damn sure don’t know who they are but I assume they are someone……that the Unique photo is what keeps you driving and working hard to find you next photo. It is supposed to be the driving force. Well, I don’t feel that way. I am a lifer in photographer. I have learned that what drives me is not the Unique photo but the entire process of working. I am not now nor ever was a heavy shooter. I go out and usually make around 20-30 frames. I do this 3-5xs a week for over 50 years.
I love my cameras, I name them. I love the entire process of photography. I love the reciprocal energy that drives me. I get my share of unique photos and even some that sell to my collectors and galleries etc. I LIVE making photos. They are all my children and I am the origin of my work.
I have more thoughts and will post in a day or so…….. be blessed everyone and maybe once in a while, take note of what your doing and fall in love with it.
Hey, Don. I love the top and bottom photos, and truly inspiring text.
Thanks tommi, very much appreciated
Beautiful thoughts beautifully shared Sir, I loved ve the concept of the dream catcher and yes you are talking to me
Thanks Don
Thanks Zahyr, nice to know I’m not always talking to myself
Excellent post Don. I’m not a heavy shooter as well. I usually feel physically and emotionally drained after a couple of hours or so.
Your right on Keith, ad the age difference between us and that’s the issue for me
Hey Don, the more I photograph, the less I care about those unique photographs you’re talking about. Well if I get one that’s fine, but I’m not craving for anymore. A friend of mine told me to enjoy the process before the result. I guess he’s right as you’re suggesting the same thing ! But I’m still a heavy shooter. I shoot a lot of crap and sometimes ended with an acceptable one. You really thing that’s it’s a age issue ? Seems that you may shoot digital, but still have an analog mindset.
Best regards
Jeff
Jeff, I think there is such a thing as Photographic Maturity. Not in the sense of time so much as usage. After a certain amount of time making photos, there comes a realization that the inner self craves the beauty of the moment without the description of the moment.
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