Many of my friends are writing on their blogs and in forums etc that it’s the shooter and not the camera. Well, not to be argumentative but I probably am as my wife definitely thinks so….. all the time. See the camera is much more important then most realize.
Barsik (the best muse I ever met)
It’s true that ones vision is the main ingredient in photography that needs the most attention. You can read fancy books, go to school, take workshops, classes whatever you like and it’s mainly about your vision. It should be….until you go to WORK!
Here’s what I teach. There is a process to anything, even drinking a beer. One should be totally into the here and now during the process in order to get the most out of it.
So lets move along and go to work. We will analyize the process of making photos. Now please don’t think there is only one way or even my way. My way works for me and I really don’t want you to do it that way….I’d rather you find your own method of working.
(the camera Don, get to the camera part…..) allright, allright.
Your on the street. Your eyes are like that of a hawk. Your walking and your in step with the life that surrounds you. You can smell the perfume from that young lady……over there,…to the right….you smell the exhaust fumes from the buses and the cars etc.
Your camera (I hope you named your camera by now)… is in your hand just waiting to respond to your every whim. Sorry, the guy over there has his camera on a neck strap….that’s fine…… ok….
You can feel something on the horizon but it’s not yet….just a little bit further down the street….
Then, out of nowhere this lady walks out towards you and the light behind her is perfect…click!
You didn’t get that, geeze, why are you fiddling with the controls to set exposure? You, over there…see…you raised the camera to your eye and she saw you and well….. there’s a million things to come between you and your photos. The one thing that can’t be tolerated is your camera. So if the camera is just a tool, then go hammer a nail with it.
Your camera must be an extension of your process. You must have a friend that your working with and not an intruder that just causes lost images. You should be able to make an adjustment in just a few seconds. If the camera is not an important part of your work, then your probably just looking for a scapegoat for you shooting failures. Yeah, this is heavy do do. It’s easy to say, my camera is a pain to work with.
The point is, you have to take responsibility for your choices in camera acquiring procedures. I have a Pen3 with the 25 lux and the 14 2.5. The Pen3 is a very good camera to work with….for me…. I can go back to around 1967 and I didn’t like SLR’s. I just didn’t like the form. I still don’t. I loved Leica M’s because they worked so well.
Flash to 2013 and I still feel the same way…almost. I had the Fuji X10 and really loved the camera. It reconfigured in a flash. Well, I never got a single RAW file to be processed the right way. I have all the goos processors..I make presets, right. I make photos right!
Now the Fuji X20 is at home and it does RAW like I love clams. The point is that this these cameras are mine and I use them. The offer no intrusion to my process, especially on the street.
I beg to differ with my friends. I state here and now that the camera may be a tool to them but to me and my readers….bunk. It’s an extension to our vision because we chose the right one……
No go and sit with you cameras and come up with names….cameras like names…..well…I do take meds for this sort of thing but my wife states that they ain’t working……
I saw this dude on my ride home. Dude didn’t see me on the ride home.