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Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 27th, 2014 … Fuji X-Pro1 … Tales From The Streets

March 27, 2014 streetshooter 8 Comments

See what happens when your blood levels shoot to the sky and your Doctor tells you that you must walk about 2-5 miles a day to lower the Triglycerides and eat right to lower your Cholesterol and you live in the Northeast Section of Philly where the absence of culture prevents you from having an enjoyable walk and your wife is Russian and tells you that you simply must take the bus etc downtown to do your walk so that you will do it every day. Geeze, must I. Maybe I should take Andre’ the Fuji XP1 just incase. hmmmmmmmmm

Well, Andre’ was let’s say,,,more than happy to oblige. It looks as if I’ll be stuck everyday having to walk around town and maybe, just maybe find some photos. hmmmmmmm

Sometimes Mother Light and that Bluebird of happiness just drops a load on ya and ya just smile. So Andre’ the Fuji XP1 had his 23mm that acts like a 35mm on and I headed to the streets. I shot 33 frames and that’s way more than a days shoot for me. Some stuff I can’t show because I just can’t and other stuff I won’t show just because I won’t but here’s a few that I like for some reason or another.

I’m really at the point of being 100% happy with my process. Well, I’m 100% sure that I’m about 50% happy with my process. But I am 14million 750thousand 496 give or take a few that I love my camera and the way it works. I feel that I at last have a symbiotic relationship with the XP1. This to me is crucial. I’ll bet it is to youse all too but some of youins don’t know that yet.

We were walking and just groovin’ with the vibe and music of the street. Car horns, sirens, loud talking, cursing, buses, trucks and everything else that Philly could muster up. So andre’ the Fuji XP1and his 23mm that acts like a 35mm told me to pay attention to the glass elements because it could get dirty and smudgy. I always carry a LenPen ad a micro fibre cloth just to be safe. See, Andre’ the Fuji XP1 doesn’t like his 23mm that acts like a 35mm lens to have a hood on.

See, there’s a thing called Parallax and the blocked finder screen and image from lenshoods. In my Leica M daze…I almost never used a hood with any lens. The Summilux has a tendency to flare slightly but I never sweat that because I would use Benzotriazole in my soup to cut back on flare but Andre’ the Fuji XP1 just likes the look of no lens hood on because it’s just a guy thing and he feels macho. For me, I just let him have his way.

We have the new issue of the Inspired Eye magazine just about ready to publish. That’s a time consuming job in itself and we are taking on even more work for our friends and community. I’ll probably write almost on a daily basis because my Doctor insist that I get out and walk…..he he he

From Northeast Philly, shooter out…………………………….

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 26th, 2014 ….. Andre’ The Fuji XP1 Takes A Break, No-name Fuji X20 Called To Duty

March 26, 2014 streetshooter 18 Comments

Yeah, it’s true, it’s very true. The Fuji still has not found a name. Anyway, the weather is crappy so I left Andre’ the XP1 at home to rest and took my Noname Fuji X20 out to work. See, there comes a time in every cameras life that the call to duty comes and the camera must be prepared to rise to the occasion. Of course this means that your cameras must be selected and training must be finished so that you and your camera can work together to find the images that define you.

The X20 has a few things to pay attention to but the most important thing is the ZOOMIE lens. Now I ain’t a zoomie kinda guy. I’m more monogamous and like just one focal length. What the X20 does for me that’s most important is: it allows me to teach Natural Field Of View to those that take a workshop with me. It’s also about the best macro camera around. It focuses so close and the detail it captures is amazing and most beautiful. I love it for my garden and off-street work.

I was sitting on the Elevated train and decided I would add a shot to the Selfie series. Yeah, that’s me in the reflection….yup the guy with the POW/MIA hat. Imagine that!

This was done for the Dreamcatcher Series but it won’t be used. I don’t like it too much but I have to post it because sometimes I just do things like that. I just love my photos even when I don’t like them.

There is sometimes a moment that calls to us as a shooter but we are not always there or present. Oh, that has nothing to do with the shot above, I just wanted to state that. Obviously I am working on some presets and this is a sample of one in development. Almost, almost……The FOV issue popped up with the X20. See, I’ve used 28mm as a favorite FOV for years all the time knowing that my natural FOV is 35mm. So the X20 I use at 28mm but I have been using the 23mm, (35mm) FOV with Andre’ the Fuji XP1. I am getting almost comfortable with the 35mm FOV so of course like the idiot that I can be sometimes….I used the X20 at 28mm. I mean why do things the easy way when there are so many hard ways to do something?

But….the lesson learned to me is that I am almost back to my Natural FOV 35mm on the XP1 because if I cropped this image (THE HORROR!)…then I would see that I shot at 28mm but the 35mm FOV is tighter and stronger. Hey, I have faith and I take my own workshops I’ll have you know. I don’t offer myself any discounts either.

Another pre-preset. I’m working hard on these and when they are released well……something’s gonna happen.

My Fuji XE1, 27mm Voigtlander 15mm Heliar have found a new home in Sunny Florida. Olivier adopted them and that leaves me working with only the Native Fujifilm Lenses. It was a tough decision but the right one. For me, it’s never gonna get better than the Xp1, 18mm, 23mm, 35mm. That’s the trinity. I have never stayed in the world of just Manufacturers products…… NEVER! First time digitally. It’s a big major step but I just want to work and right now, there’s no better way on the planet.

I’m not actually pushing the XP1 am I….darn right I am. I think for a REAL streetshooter, it’s the best way to go. The XP1 offers things no other camera can offer. Can it be improved upon, not mine. I use it just like it is and can go indefinitely this way. Why do I post this and this way? Well, I know many fine shooters that have the XP1 and they are considering the Dark Side. I won’t name the camera but it’s made by the same guys that made Andre’. The main point is that….GEAR is extremely important but only to the extent that you get comfortable with it and can find your photos out there with it.

So I use the XP1 and Olivier, well….he’s not impressed but he sure loves the camera once named Ding, XE1. Different things for different uh…how’d that go? hmmmm anyway…If ya can’t be with the camera ya love, love the one your with. betcha that could be a good hook in a hit song…………..nah!

shooter out…………………………………

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 24th, 2014 … Fuji X-Pro1 … Tales From The Streets

March 24, 2014 streetshooter 2 Comments

I am at the point of no return. Well, of course there is always an escape clause but I choose to commit to the path that lay ahead and not deter from it. I go with open Eye, Heart and Mind and seek the images that reflect all three and my INTENT. What I’m talking about is the work that lay in front of me and being focused to follow the path. I plan on Andre’ the XP1 and the 23mm that acts like a 35mm to be the friends that walk hand in hand for the long haul.

So the photos I find and make and the stories that come about will be posted on this blog as a record of what I’m doing and how the camera and lens are working on a daily basis. I’m going into serious photography mode and my image rate will drop considerably. For the time being, it’s nice just to shoot and see how things are working.

What interest me here was that this girl is against the wall, in more ways than one, and her parents are making pictures like for a fashion shoot. Maybe they want the memory of their daughter as they try to remember what they lost in the past. I’m not sure but I like to thinks about things like this after I make the photo. Sometimes, even before I make the photo. Maybe mom and dad’s little girl will grow up to be a famous model or a movie star. Maybe she’ll grow up to be a waitress in a diner or just maybe gat married and have 3 kids that she wants’s to be models and movie stars. I hope that regardless of what life throws at them, they can maintain LOVE for each other and just except each other for who they are.

I know one thing. They will have no recollection of me making a photo of them.

I’m getting very used to the frame line parallax of the XP1. It doesn’t work the way my Leica’s do but then again I don’t need it to. The accuracy that I need from the camera is the accuracy I find the camera gives me.

I had a conversation with Andre’ the XP1. Of course this was right before I went to the VA Hospital. Anyway, Andre’ explained the XP1 law of OVF Physics. See, it works like this. If you look thru the OVE and see the frame lines move, that’s great but….remember that the frame lines always move the same way with the same lens attached ate any given focus distance.

So, there exist Parallax but there is 2 types of Parallax to deal with. First is the Parallax between the framelines and the lens. This means that you actually have a constant as a point of reference to work with. The framelines will move but never be exact as the lens sees. This is the single most important point tolook at between the Rangefinder vs the SLR cameras.

We all know this and those that decide to work either way, don’t miss the other system. Easy nuff! Now comes the second type of Parallax. This type is placing the blame on the shooter because the camera does things as a constant so the shooter must learn how to interact with the frameline Parallax. Luckily enough Fuji has made the learning chore much easier because they put the EVF in the camera also. So one could just flip the lever and see the difference between both finders and eventually learn to see what the camera is seeing, with more accuracy.

I put this part of the post up because a few have asked why I use the XP1 over any other camera. For me it’s about the process that I wrote about the other day. The XP1 is the kind of camera that works with you regardless of the situation. It will get the image if you know what and how to do your end. That’s a big reason why I named the camera Andre’. See, Kertesz was not loved by many rich and famous types for decades. Even later, he was never as famous or loved as he wanted to be or DESERVED to be.

What’s most interesting is that most famous photographers are known for the 1930’s and later work. Andre’ made DROP DEAD KILLER IMAGES at the turn of the last century. 30 years or so before that famous French fella. So I named my XP1 after Andre’ because it’s my way of paying respect for the ART that he passed on to us all.

I’m getting off or maybe not……. More stuff coming and it’s always about my XP1 that’s named Andre; and sometimes from my unnamed Fuji X20.

………………end transmission…………………………………………………….

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 22nd, 2014 ….. Fuji XP1 & 23mm … Definition Of Success!

March 21, 2014 streetshooter 15 Comments

As the weather warms and the Crocus’s start to pop up, I get into the light load mode. Ok, ok…ain’t nothing to light with the XP1 & 23mm. It’s ok because it does the job as one could expect it to. So what is happening is that I am leaving things at home when I go out. Truthfully, I need Andre’ the XP1, a few batteries, lens pen, 23mm that has the vented hood on it. Did I forget anything….I think not. That’s it and hopefully till the fall sets in, unless there’s an assignment that requires a different lens.

This keeps me light, really light. Today on the way back from the VA Hospital, I walked 6.5 miles and stopped just once for a 5 minute break. I wasn’t tired but I have a Think Tank Turn Style 5 that was on the sling mode and my left shoulder started hurting. So I changed it to a waist pack and was off and walking again. The shot above was made on Chestnut Street and Broad Street. I did a few nudes on that lion a few years ago…yo…no! That lady starring me down was not the model.

Once I picked myself up from the ground after she whacked me with her cane, I continued on my way.

I had to tie my bootlace and I knelt down. After a few seconds. Andre’ started acting up and as I looked up at what he was excited about, I made the exposure. I’m not crazy about the shot but Andre’ is proud that he saw it before me. So I put it in the post. I should state that I am not in full working mode yet as it’s too darn cold. I need to warm my blood and get sunshine burning into my eyes. Most of what I’ve been doing is really preparing for the Spring-Summer-Fall work.

There’s something really comforting when I work in my Natural Field Of View, 35mm. I mean I used to be able to see an image, move around, raise the camera and frame…it was all very natural. I am not there yet with the 23mm (35mm FOV) but I will be in a few more outings. What turns me on with Andre’ the XP1 is that there’s a feeling of confidence and quality that oozes from him that just keeps me working with him. It’s like he sets the mood for very serious work. I want that, I need that…sheeesh. I must have that!

I don’t play with my cameras, I don’t go out to play around. I go out to work and I do it with my friend Andre’. I suggest that if you don’t know me or what I’m about……stop reading right here. Look at your camera and if it has a name, continue reading this post, if it doesn’t and it’s a tool like a drill or hammer….we need to have a chat.

I have been using LCD screens since the start of them, way back. It’s a pleasure to have a finder like in the XP1. Yeah sure, the M cameras are perfect but here in Philly, all the junkies think so too. I’ve already had a few cameras and a iPhone ripped off on public transportation. Let me tell ya. If some stupid idiot tries to get Andre’ away from me….well, see…The XP1 is all metal as is the 23mm. I guess that takes care of that…..!

I’ve noticed that lately I’m doing selfies again. This is a sign that I’m finding my way and getting ready for real work. Besides, selfies are great to figure out the Parallax of the OVF. I don’t really have much of a problem with the parallax and I don’t use the screen, turned off and I don’t use the EVF too much either. There’s nothing wrong with either it’s just that I like to see THRU my subject and not look AT my subject.

So the whole time I’m adapting to my natural FOV and the workings of the camera and how we work together…well, I am also designing presets. This is a task and I spent 2 months working on a set and last week, I trashed the entire set. So I’ll start over and get what I want or trash them and start over and …….

I have a thing for images that are alive by them self. What I mean is this. I learned many moons ago that the process of photography has many aspects to it. We all know that, even Olivier. So, when I decide to make a photograph, my intent is to find the true meaning from inside me and inside the image. Ok, confused…here we go.

A few things to establish. The groundwork you could say. A photograph is a 2 dimensional representation of the subject you captured. As soon as you release the shutter, (actually on first sight) that subject no longer exist. What remains is the image you have on the card, in the computer etc. If you look at that image as a representation of the subject and not see the image as it’s own reality, you miss the truth and value of the photograph.

Now lets get something straight. What I say is for me as how I work. It’s not really the truth of a documentary shooter but yet it is. The realist shooter makes photos to represent a truth that must meet a demand for a purpose. Not always but a lot. When I photographed the war in Nam, did I make a real representation of the reality in front of me? Maybe I tried but I’m sure I failed as everyone else does.

The real dedicated shooters know that a photograph is only a truth of itself and not a truth of what was photographed. So……when we process the image, do we try to find the truth of the image or the truth of what was photographed? We of course seek the truth of the image and the truth of what we are in that image.

Burn a corner, raise the contrast, lower the DR, sharpen etc. The point is not to make yourself trapped in any conventions that are holding you back from self realization.

Find your photos out there, by the way..very easy with the Fuji XP1 and bring them home and process them as only you can. Find yourself in what you do and others will too. Hopefully at some point in the near future you can sit back and say, “I am very satisfied with what I’m doing and getting and I will continue to improve and carry on.”

Do not be one of those that say, I am not satisfied with what I’m doing…….

Everything I just wrote has all and everything to do with the XP1. Why? Well, it’s about process, from start to finish. All these thoughts and many more are shared by Andre’ and myself as we venture out on the streets to find the Magical, Mystical Ever Eluding Photographs.

I hope you enjoy what your doing as much as I am. It’s work but what the heck. You could be painting the bathroom.

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 14th, 2014 ….. Finding Myself with the Fuji XPRO-1 and the 23mm 1.4

March 14, 2014 streetshooter 16 Comments

What a long strange trip it’s been. That 35mm FOV took hold of me sooo long ago, I can’t remember not seeing that way. Of course I can use any camera and lens combo and find my photos but there’s something about 35mm that locks in my Eye, Heart and Mind. My intent shines clear to these weary old eyes. I am at one with everything and everyplace, even Tanya. Imagine that!

So the neighbor cop gave me the 23mm in trade for peace of mind for him with his wife. She knows I was a contractor for decades and always maintained an artistic esthetic about my work. So she will let him redo the kitchen knowing that I have his back.

I gotta say, the XP1 with the 23mm is ideal for me. There exist in my mind and heart a memory of days gone past of using my beloved M4 and other M’s but the M4 was it. I had many lenses and I used them all for different things but when it came to the street, my work, my very existence, I used the 35mm Cron and had the 35mm Lux incase I needed an extra stop.

I would set hyperfocal or a zone that I wanted and just walk and tune into the sounds and movements of the street. If something called out to me, I raised the camera, looked thru the finder, framed and……Click. Things are now starting to work in a similar way with some updates. The XP1 works in a way that brings me back to the M4. With the 23mm, I am now connecting to my Eye, Heart and Mind to fulfill my Intent.

A camera needs to allow you to work in a manner that brings the Subject, the Camera, You and the Viewer into the same reality. That reality is the Print or image. One part of the equation that fails and everything tumbles down to failure. It ain’t a pretty picture.

I’m excited. I’m learning to SEE again with my trusty friend, Andre’. Between you and me, I would really like to just use Andre’ and the 23mm for a long, well, maybe even forever. I’ll give it a long run and just try to learn how the camera sees with me looking thru the finder. Isn’t it crazy, a 64 year old shooter re-falling in love with the camera and process all over again. Eh, I don’t care and I’m going to do what must be done. I have to find the photos waiting for me because no one else can find them because they are on their own journey.

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 13th, 2014 ….. Fuji XP1 and 23mm 1.4 … Shine The Light To Home

March 13, 2014 streetshooter 18 Comments

I was in Kosmin’s Camera Exchange and it was 1968. Herman asked me what the problem was. I told him something was wrong with my eyes. “What the heck are you talking about?”

I explained that no matter what I do I can’t get that 50mm to work for me, it’s always too long. He smiled at the young streetshooter and said…”Take this camera home and try it out. You’ll find your FOV very fast.” The camera was a Nikon F and I had 3 lenses with it, 28mm, 35mm and a 50mm. So I did as he suggested and in no time flat, I realized that 35mm was it for me. I told him I learned a valuable lesson and he smiled and asked what I learned. He of course wanted to hear about my FOV issue being solved. Well, he almost hit the floor when I told him the lesson I learned was that I hated SLR cameras and also that 35mm was my vision.

All thru the years I felt at home with the 35mm FOV. The thing was, that most shooters used a 50 more than anything else. 50 was natural for them and the 35 was considered wide, I was actually upset because I felt I didn’t fit in. ——-> time warp about 35 years ahead………..Then the digital revolution came and hit me on the head and all the cameras I liked or used had 28mm FOV. This was most upsetting. Many even had the dreaded zoomie lens where I could really get lost in Multiple FOV Personality Camera Land. All right enough of the issues, finding resolution.

I fully adapted to 28mm to the point that is is as natural as could be. I even have to 18mm (27mm) for the XP1 and it works great. Enter my neighbor the cop and his Fuji camera and lens fiasco. As it turns out I made a trade for kitchen layout and design work that will save him around $6,500.00 on his new project. He bought the XT1 and sent it back, his XP1 will arrive today and I’ll give him help on use and setup. What did I get? Glad you asked…I got the brand new 23mm (35mm) lens. Nah, I’m not happy….sheeeeeesh!

So yesterday I took Andre’, the Fuji XP1 with his new eye out for a walk. I just wanted to see how I would do with my old friend, the 35mm FOV. I gotta tell ya, it’s gonna be work to get that back but Andre’ and the 35mm is up to the task and they are starting to Shine The Light To Home for me. The above photos are just FOV test for me. I don’t claim to be after the real stuff yet, I just have to get it together. I will say one thing. Andre’ and this lens are just about encroaching on the rather large size movement of cameras that have found their way to ebay. There is some heft to him but not yet a real problem. The use and photos that he is capable of finding is way above anything I could hope for. The good thing is, if anyone ever tried to steal him, well…..beings all metal and having some size and weight….it wouldn’t be a pretty picture of the person that got hit with Andre’. This is a key issue for being a street shooter, defense!

So the adventures will continue and the re-training of the 35mm FOV is underway….With Andre’ and the 23mm, we are off to a real good start.

………………………….end transmission……………………………………………..

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 10th, 2014 ….. Fuji XP1 & 35mm Find The Light … and Some Other Things

March 10, 2014 streetshooter 21 Comments

So Andre’ the XP1 and the 35mm 1.4 that thinks it’s a 50mm 1.4 and I went for a walk today. The weather started of around 37f and slightly overcast. For me it doesn’t matter cause I go out in anything but Andre’ has a bad attitude about getting wet. He’s got a cousin and it’s the unnamed XT1. Talk about a crazy camera….The XT1 loves getting dirty and wet and cold, whatever but the lenses…well….See, I’m from Philly and here we like things to match and get along…remember, Philly is the city of brotherly love….So, it just seems to me that if’n a camera is weatherproof…shouldn’t the lenses be also…I’m just sayin’. Don’t sweat friends, in no time Fuji will release the best dang weatherproof lenses ever…..you’ll see.

The 35mm is a monster lens but it’s also a gentle giant. I like all of youin’s love the detail, sharpness, contrast it provides. I also the the way it just seems to capture kinetic energy. I get into all kinds of things because I’m not a specialist in any kind of photography, I just specialize in responding to what I feel and see..well maybe see, sometimes see…wish i could see…hmmmm.

I gotta tell ya….if you leave your self open, the possibilities are endless. I mean, for me…it’s about responding to life. It’s about making photos and when looking at them, feeling excited for the next breath. Yeah, guilty as charged….I breathe photography. The shot right up there…yeah, that one and even the first one…they show an awareness of the subtleties of life and death. Geeze, I’d be lost if I had to only do one thing with my camera, maybe even just work in one genre’. Maybe that’s great for those that can and do but I’m not that guy.

I remember in 1970 we were outside of Chu Lai. It was Monsoon season and as the light started to fall so did the sounds of mortars and gunfire. I looked around me at the squad members and all were accounted for and in 1 piece, it was a good feeling. I had my poncho on and was leaning against a tree, knees up, M4 in hand under the poncho. Staying dry was impossible but I always kept my M4 dry. So the rain had stopped about 15 minutes before and the humidity was unbearable but just then the sky opened up.

I looked at the cloud formations and the ripples of light in the sky and it stretched as far as one could imagine. The color was from THE LORD and I felt blessed to be experiencing this miraculous vision. We all just looked in wonderment and felt that maybe, just maybe we could get back to base camp….together in 1 piece.

I looked at that sky and then I felt like THE LORD was shining a light for me to make a photo….Oh man, what a feeling…it was like an experience that one should remember for eternity. I raised the Leica with the 35cron and just as I put it to my eye….

I kinda heard a voice in my head and I thought it was THE LORD as he said….Schmuck, your shooting TRI-X.

Those are the kind of experiences that effect your life…or not! For me things like that leave me open to the possibilities of what ever life throws at me. If it sounds like I’m teaching, well maybe I am but I feel that we all have a responsibility to each other to broaden the horizons of each others minds. I get great pleasure when I help someone and I can see the light go on. IT’s as good as it gets.

What’s this got to do with the XP1 shooter…..? Okay, ok…hold dem dere horses…! It was early 70′ and I was in NYC at Ilya Bolotowsky’s studio. I was there to do a portrait of Ilya in his studio. We sat and drank tea and biscuits. I looked at his paintings and immediately saw a strong resemblance to Mondrian. Ilya explained that he knew Mondrian. He had a sad look in is heart and I felt that he was agonizing about this relationship all his life.

So as I sat with him, I saw this table with many brushes on it. I walked over to it and asked him why all the different brushes…(over 50). He said to me….Don…I pick up many brushes and they feel like great tools….then I close my eyes, I reach down for my friend and start painting. He said that he has never picked up a different brush first before his friend.

My cameras are not tools, Ilya, Harry Callahan, Minor White, Harry Bertoia and many more see to that….my cameras are my friends.

Have a good day and be truthful to yourself, even if others can’t see your truth…………………

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 9th, 2014 ….. The Fuji XP1 & X20 Teaches A Cop How To See The XT1

March 9, 2014 streetshooter 8 Comments

Ok, you all know I’m a little strange, great guy but strange. Check this out…… I didn’t have much time but I did hit the streets and el train for a little bit. Nothing out of the ordinary yet….right. Well, my neighbor the cop…is a friend and to protect him and his family, he’s just “The Cop” across the street. I told ya’s he got the XT1 and some sweet lenses. Well, before I left the house he showed up and was telling me how he doesn’t like the 23mm and the 60mm Macro. Tsk, Tsk I said……So to add a little fuel to the fire I showed him Andre’….XP1, remember….ok…. well he says that it looks like an old school camera like me but he’ll grant my wish and look at it.

I told him to be careful because the XP1 has a very addictive OVF and once one looks thru it, well…the sins of the DSLR world become evident. He smiled and then put Andre’ to his eye…. (shhhhh…whiles he’s doing this I’m thinking that I sure would like his 23mm yup! Well, a few minutes pass and I show him how the finder switches to EVF.

As we packed his XT1 in the box for return, he asked what else he needed for the XP1. I told him to get a thumb grip and an ACMAXX for the screen. He doesn’t do eBay so he placed the return order right away. He’s exchanging for the XP1. So we sat back and drank a beer and I asked him in a very uninterested way what he was going to do with the lenses. He suggested that I should get the 23mm and he would just make sure that everything was tidy on the credit card. Well, ya know…I don’t really need that stupid lens but if you really don’t need it, we can make a deal. Yeah…..ya know, maybe I shouldn’t have showed him the 18mm or 21 Skopar and especially the 15mm Heliar.

Now my friend the Cop is actually a seasoned ex-pro shooter. He sold all of his Canon stuff and that’s where he got the moniey for the move to Fuji. So we are sitting and starting our second beer. He’s got Andre’ in his hand and I can see he understands the camera immediately…all the sudden….Tanya enters the room. She’s standing looking at me like a mother would do to a child, par for the course. She immediately reminds me that I am in complete violation of the Russian/American Alcohol Consumption Treaty Act of 2007. I am made aware of the penalties of such act. I told her I had Law Enforcement on the scene to monitor behavior patterns. She told us both that there shall be no money exiting procedures from our bank account to the Cop’s. This includes the hidden photo account that she doesn’t know about but monitors.

So to keep peace in the home-front and as it turns out, both home-fronts…we decide to make some kind of a deal that goes un-noticed by the 2 female executive officers, otherwise named wives. So we know that we are not getting into beer #3 but if we are telligent menz, we can horse trade some kind of a deal to make each party happy.

The unnamed X20 is sitting on the table just minding it’s own business. It’s feeling out of sorts because the XT1 that won’t get a name because naming a camera is ludicrous according to the COP but is sitting next to the lucky one, Andre’ the XP1. He asked me what I use the little unnamed camera for. I stated, it’s in testing procedures for street, snap shot stuff but most importantly macro. Ahhhh, the garden…right? Yup, it does that better than any camera ever.

I also told him that the X20 was a natural FOV finder camera. I showed him how he could see the FOV of different lenses and one could test and find theirs with the little unnamed camera, the X20. So he asked to borrow the unnamed X20 for a little bit so he could test it out and make some decisions.

The unnamed X20 camera made all the photos in this post as part of preset development in the LightRoom Processing Department. I happen to be in charge of everything photographic because Tanya lets me be the CEO.

I know the Apple Store is around here somewhere….She is not amused….

So the unnamed X20 is on leave and Andre’ the XP1 is back to active duty. Somehow, I gotta make a deal for the Cop’s 23mm….all was going well until the the Cop knocked on y door…he said…yo Don…don’t you have an XE1?

That’s another story for another time…..

shooter out…………………………………………………………………………………………….

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 7th, 2014 ….. The Fuji X20 Can’t Replace the Fuji XP1.. Nor Can The XT1

March 7, 2014 streetshooter 12 Comments

Let me start by saying that I appreciate the responses I got on the comment list and in emails. The X20 has not been named yet but is close. It’s ok, it sits on the shelf next to Andre’ and Ding and Garry. I’m sure that in a day or two a naming party will take place and of course all of you are more than welcome to attend.

Alessandro gave me an awakening with his comment about the X20 being a compact and I should let it act that way. I knew this from a year ago but it’s nice to get a kick in the butt to get back on track. I’m also working on presets again and the great thing about Lightroom over Nik is the HISTORY! I’ve written about that 100’s of times but now it was time to practice what I preached. I opened some files from my last X20 a year ago and low and behold….going to the history I could see the name of the preset and also the ability to save it. Unreal. Great news but…..I want to design a new set that works for every compact camera ever built or that will ever be built. White and my Meds gets me thinking like this…..yuch!

So when I got home today, my neighbor the cop grabbed me for a minute. Yo’ he said….check this out Don….. We are standing outside in the cold..it’s ok cause I gotz me long underwear on and I’m not cold but I have to release body fluids really bad…..he shows me a Fuji XT1 and a 23mm 1.4, 35mm 1.4, 56, 1.2 and 14mm. He’s got all this in a real nice Billingham Pro bag. Yeah, yeah, beautiful I said….nice…..(remember, he’s a married cop with kids…great guy but not a pro shooter…has no idea of street work other than busting the people I make photos of)….So he hands me the highly coveted XT1 with the 23mm on it. Well, 1st impressions are that I’m glad I have my XP1 and the XE1 and now the X20 and Rogers M240. I tried it out a little but I got this cramp in my lower bowels, no, not from holding back body fluid procedures….but that didn’t help…!

The XT1 is a fine TOOL for most people that are thinking about cameras as tools. For me, I am a visual poet and think of my cameras as friends, that’s why I name them and of course they named me also. So I instantly decided I would never get the XT1 butt!… I kinda have a hankering for that 23mm. I told him that the 23 was the worst lens in the Fuji lineup and that I’d gladly take it off his hands because a Cop with a wife and 2 kids deserves more than that. Well, he’s going for his inspectors test and kinda figured that I was trying to swindle him out of a really good lens. He said….I could cuff you for that but we’re tight…I said…can I use those cuffs tonight with Tanya…..after we both stopped laughing we parted company till the weekend cause I have to get these body fluids moving quickly.

I then left without the cuffs or the 23mm……………..

Sometimes people surprise me. I was walking on Market, of course and I saw a sight not yet recorded in the historical annuals of Philadelphia History. See, it’s a well known fact throughout the entire universe that Jersey Girls Have BIG HAIR! C’mon, even Bruce wrote songs about that…He knows, he’s from Jersey….so I’m walking with the not yet named X20 and there, there right in front of me was a sight never before recorded by the un named X20….a woman with BIG HAIR. At first I was nervous but then I saw a guy looking at me for the support I sought from him…..we both assed each other and with a grin, we both realized…Jersey Girls are planning to invade the streets of Philly, The City of Hopes.

FOV

I keep going back and forth with my “N at u r a l” FOV. I mean I found out a long time ago that mine really was 35mm. Yet, in this time period I might be thinking that it has changed to 28mm. I say that because 28mm has dominated my cameras for a good period of time and I certainly FEEL that FOV. Most say that one should be able to work with any FON, of course it’s true but that doesn’t find your natural FOV.

How To Find Your Natural FOV

……… so we are walking and trying to find our lost photos…then something grabs at you and you know you just found one. You look at the scene and decide where the frame should be and you raise the camera…….as you look thru the finder or at the screen…..OH MY! the camera has framed way to much of the scene or maybe way to little of the scene. WHY?!

Because you haven’t found and utilized your Natural FOV. It’s not the fault of the scene, no…it’s not even the camera’s fault, no…it’s your fault. It’s your fault because you chose the scene and you even chose the lens but you didn’t know your natural FOV. When you look thru the finder or screen, that view should be as close as possible to the FOV the lens is seeing. For me, it’s now 28mm, used to be 35mm and probably still is making 28mm an adapted natural FOV. So what this means is that the lens is seeing about what your eyes are seeing from the same stance. Not having to move when the camera is at the ready because you and the camera/lens are on the same FOV. Of course you don’t have to believe me and you can do things the way you want, far be it from me to impose any restrictions on what you do but I guarantee if you take the time to discover your natural FOV then you will know what other lenses to work with because that FOV will present itself in your images.

Ok, back to the camera thing. Every camera has a duty that makes it the one for particular work. For me, the XP1 is about as good as it will ever be. The XE1 is a nice camera but our love affair is coming to an end…not yet but soon. The X20 is a Grit Machine as verified by many of my friends and some even pointed out in the comments region of this blog. Roger’s Leica’s don’t interest me because of the financial value they maintain. Oh, don’t get it wrong…I love Leica and always did but the Streets are different now then back in the day of my younger years and it’s not safe for me to carry or use them on the streets or public transportation. So everything has it’s place in the order of Streetshooter World of Photography and I’m very content the way things are.

There’s only one pressing item to clear up and shortly at that. The International, Intercontinental, Intergalactic official naming of the Fuji X20 here on Earth on Montour Street in Philadelphia.

So, please continue to submit your suggestions and by the end of the weekend, the name shall be selected BY VOTE if I can figure that out and the coveted Grand Prize of a preset pack thusly awarded to the winner. There was an executive decision made that awards all entrants a smaller version of the Coveted Preset Pack just for entering the contest.

Go in Peace and Pray for Peace in the parts of the World where there isn’t any! ………………….end transmission…………………..

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 5th, 2014 ….. Enter The Fuji X20 ….. Again!

March 5, 2014 streetshooter 38 Comments

If you go back to last year on my blog post, you’ll see that I had an X20 and was very excited about it. I do remember developing a set of presets for it but alas…they are in digital oblivion. So I have to start all over again. Anyway, Olivier sent me the X20 because he could and John the DC Shooter sent me a package with goodies to finish the camera off.

So I took the X20 out for a walk and we ran into some photos I missed with my other cameras. I’ll post them on this post but have to improve the IQ to suit my needs.I remember the camera as being a GRIT Machine and that’s ok within reason but it’s important to be able to clean up the files also.

As a street camera the X20 opens up a few possibilities. First off of course is the addition of as Zoomie lens. It covers 28mm – 112mm. The interface is the usual Fuji layout. You don’t have to fight with the X20. It just works with you and supports what you are trying to do with it.

I haven’t names it yet but I’m thinking of Walker again. Of course Walker is after Walker Evans. Dunno, not sure but I am open for suggestions.

How’s this……: You the loyal faithful readers of this blog…if you post a name in the comments and it gets selected, then I’ll name the camera after the name you submitted and send you a real good set of presets. So, get that brain cell working and submit your name for the X20.

That solves that issue. The streets in Philly are cold, windy and in a state of numbness, not because of the weather directly but because of the weather indirectly. It’s taking a toll on me and the other Market Street Dwellers.

It’s not everyday in Philly you see a woman wearing a Leica 240 and a 35mm Cron. She wears it well but her choice of a hat is definitely not Leica. Tsk…Tsk….!

Inspiration is not where you think it is or even should be. I used to love to teach workshops in the winter and then my DR at the VA said I was maybe crazier then they thought. After a few years, now I see the light and it ain’t the winter light either.

The responsibility of a teacher, mentor or friend to a shooter is to provide stimulation, inspiration, some answers and of course more questions. I now at 64 feel inadequate to fulfill this mission in the winter. It’s not the actual age that hinders me but the knowledge I’ve accumulated in those years. I know that I am more self inspired in the Spring, Summer and Fall. Notice the Winter is excluded…..! I have a hard time even doing my responsibilities at Flickr and forums. I try but I’m more withdrawn and feel that one should be as honest as possible when providing inspiration to another. Oh….sorry…the Fuji X20.

I think Olivier knew I was on a soft slide down. Oh, I do what I need to do for the Magazine but for myself, not much. He sends me the camera to inspire me and of course I’ll have to spend time making Presets and by the time it’s all satisfying…the weather will have changed and I’ll be off and running once again.

Don’t think fer a second that I’m depressed….no way….uh uh…ain’t nuttin like that! I just am tired of the weather dictating how and what I should wear, make photos of, spend my time on the street,etc…..

I’ll be back…….. Don’t forget to drop a name in the comment box and collect your set of presets…..

Peace………….all over ok……….!

Street Photography Chronicles by Don Springer