One of the things I teach at my workshops is: recognizing your images before and after exposure. I talked about this in Parts 1 & 2 but it’s something that must be embedded in the mind so that the eye & heart can work together to find the images. Sometimes ideas seem strange and we don’t embrace them freely. We hesitate because the idea doesn’t fit the preconceptions implanted in out mind by outside sources and worse….by our own doing. This is a challenge that if accepted, may lead to a new understanding of what our photos look like. It could add to the very definition of what we are photographically.

This series of photos are made exactly for this reason and exercise. I guess it’s about finding a synergism between the eye, heart and mind. Lets think of the eye as Photography and the mind as the camera and the heart as the excitement of a new undiscovered image. So what happens is that if we are attentive to what we are doing and what’s doing us, we can grasp the moment and enjoy the stretch of the mind, outside the box.

Tanya doesn’t really get photography beyond family snaps. That’s cool and I torture her with my cameras and photos of her in all kinds of different situations. She always rejects the photos. So when I decided to move the camera around free space, she looked at it and told me I was crazy and I need to see my VA doctor right away. When we got home, I loaded the photos into LR5 and called her to look…….she loved these because they presented a new way to use a camera and make photos. She opened her mind to the possibilities.

Of course this in no way eans that permission is granted to make photos of her, it just means that she will look at the photos in a different way.

I use the Ricoh GRD4 when I start seeing the frame as a box. I know, I know….see it as a window. Of course I know that but everyone should learn to rethink their approach to photography and life for that matter.

The GRD4 allows me to break away from the routine I fall into sometimes. Of course any camera can make you rethink but I program my mind to use the GRD4 especially for that reason. When I pick it up, my mind says…”Uh oh…time to rethink the frame….again”. The camera becomes a backup safety net. It puts me into a state of mind that opens the boxes and lets me see them as windows.

I have a member of my workshop from around 4 years ago. He says that this procedure is just plain ridiculous. So a few times a year he calls me for advice about helping him get past something blocking his vision. We talk for 20 minutes and then I end the conversation my saying….”get a safety net camera”.  Eh….he won’t do it because it’s a ridiculous theory but he’ll cal me in 6-8 months.

There exist many photos out there waiting to be born. Within those photos lives many that are just beautiful images that are for you to add to the definition of your self. If you can’t find them it is your fault and not theirs. If you focus on your Eye, Heart and mind then out there are those photos waiting for you. If you don’t focus on your Eye, Heart and Mind, those images are still out there but you won’t find them because someone else will……

have a good weekend………

Minor White impressed upon me the importance of intent. To be perfectly honest, I grasped the words, concepts, thoughts, feelings etc and stored them in my brains memory stick. When I returned to Philly I felt enlightened but still I needed confirmation of all this by my mentor, Ding. I explained everything to Ding and he looked at me and asked me…”Don, the lesson Minor was teaching you was about intent. By questioning the information you gathered, you question his intent”. I didn’t mean anything to be an insult, I just wanted to make sure I understood all of it before I spent the rest of my life living it. After breathing all this, one day it came upon me and jit me like a log on the head. That felt very normal because my wife made me feel that way many times.

The point! I talk about the here and now a lot. What that really is in a simple meaning is….CONCENTRATION! An intrusion is something that breaks your CONCENTRATION. Working with the Eye, Heart and Mind is nothing more than being aware of what you are doing and having total concentration to be focused at the moment of realization and exposure.

Yeah, yeah….Realization is when your working your subject matter and all the sudden, you have an awareness that there is a photo waiting for you to make it borne. When that happens you must be free from distractions of all sorts and be at the ready to release the shutter.

Disclaimer. What I am talking about may not fit everyone that makes photos but I guarantee if you are of the serious nature like me….it means a lot and makes perfect sense. I am totally aware that many do not live photography as serious as I and others. So, if this is too heavy or it seems that you are not at the right place….don’t sweat it.

Here’s another thing to consider. There are at least 2 important regions for intent in photography. The first region of intent is the camera. This area of course is using the camera, finding the subject, capturing the image. There is more involved but I’m sure if you made it this far in the post, you understand what I’m explaining. The second area is the processing formula.

The second area is where many fall short of their expectations. You have to open you mind and let different things enter it to discover the INTENT in this region.

I’m going under the gun here…..I’m on the street. I have the XPRO1 with the 28mm (28mm) on. I’m using a wrist strap and just walking as I do, slowly looking, seeking an image. I can smell the homeless man on my left….front right is a really cute girl with above the knee skirt and hair set in Jersey style. I can hear the traffic, buses, cars, motorcycles, peropl talking, cursing, hustling up and down all over.

All this stuff around me is information, info for me to respond and react when I find the image. All the sudden the light gets really strong, a woman walks out in front of me….I immediately raise the camera and the exposure says, 1/250 f/8. I right away set the camera to 1/250 f/4. This makes an over exposure photo by about 2 stops. WHY!!!!!!?

Well, I knew at a glance that I would want to make this into a Dreamcatcher image. I want the high tones to just go away. I finally get home and load the card into the computer. LightRoom 5 starts and I get the files into the folder. (More about organization later) I look at the image of the woman crossing in front of me and I see the high tones blown.

My initial intent was to capture the image and then the second intent is to process it. This is the act of rephotographing, rediscovery if you like. It is not written in the bible that an image captured must be the best representation of the subject as possible. I want to discover the image for what it brings to me or communicates to me. If very often has not much representation of the reality in which it was recorded. So what!?

Here’s where we challenge the Intent of Intent. I wonder if Picasso got frustrated by painting on canvas and being stuck in 2 Dimensions. There was this Artist named DUCHAMP that saw things differently. He made a very famous piece named, “Fountain”.  A fountain is most often thought as a place where water comes out. Many people saw his fountain as a Urinal, a place where urine goes in. I’ve seen enough urinals in my life to recognize one when I see it but when I see DuChamp’s, I see a fountain.

Picasso may have been influenced by the shooters around him when he discovered and presented Cubism. I would think that Cubism looks something like a flattened perspective of 3 dimensional reality on a 2 dimensional canvas. Lets stretch this somewhat and say that maybe, just maybe…photography does a similar thing….seems crazy huh?

I see many, many shooters tied to the 3 dimensional world in their photos. They are concerned with the finest resolution, the most accurate tonal range duplication, the reproduction of every detail recorded to the best ability of the shooter and camera alike. There is nothing wrong with this.

We as people are bombarded by the rules, preconceptions, guidelines and everything that can stifle us into behaving as normal or set sent back to the factory. As photographers, we have a responsibility to the image. We have a responsibility to photography itself and we have a responsibility to ourselves as shooters and as viewers. What the heck are you getting at shooter? 

At the precise moment of release, all that you are is captured in the frame. We try to be as normal as possible but yet we strive for exceptional work. When we get to the processing part of the image, the same thing happens whether you are aware of it or not. You are now at the point to try to define the image. Sure, it’s easy to just try to make the image as close to what we think of reality as possible but wait!!!!!!

Working your photography is not only about finding great images, but about finding who you really are. So why restrict your vision by trying to work within a box that you see as the frame…..why not see that frame as a window and see many possibilities for the birth of the image and of course yourself. See, it’s like this….if what you do with a camera effects the outcome of your image, it stands to reason that the final image should effect what you do with the camera.

If your out there making photos and your not looking for yourself, who are you looking for?