Here’s the link for the new issue……get it while it’s hot…. www.theinspiredeye.net
Enjoy your weekend and I’ll be posting again on Monday now that I’m out of the hot seat.
Tag Archives: Intent
February 25th, 2014 ….. Fuji XP1 And The Dreamcatcher
Andre’ (XP1) woke me early this morning and he was nervous. Apparently the Fuji XP2 is being designed and he’s concerned that he would be replaced by the youngster. I told him not to sweat it because regardless of what the new kid in town has, he is still and will always be a good friend and be up to the task.
I’m a street shooter and because of that, I work on different themes or series all the time. I know my trigger mechanisms but remain open to something new. I don’t like to be predictable and I don’t like to lose the sense of wonder and excitement. So, the way I work is to let my images find me. Of course I have to know how to help them along and Andre’ is the biggest support I have.
The Dreamcatcher Series get’s it’s start around 1978. I started using Kodak Infrared film and designed a developer to go along with it. Then, to follow suite, I mixed a print developer so that everything was in sync. There was just something in the way the tones reproduced and read. I really fell in love with it and I started carrying 2 M4’s. One with TRI-X and one with Infrared.
Enter the digital revolution. It was a revolution for me as the war waged between my darkroom and computer and Leica’s and digicams. It took a few years to make the transition. As I look back at my history, I see that the Dreamcatcher Series is most responsible for the transition from Film to DNG. Presets man, Presets! I had always been a very good printer in the darkroom and I thought that meant a look in the photo. So, preset baking became a part of what I do.
Ya know…it’s all about your frame of mind on the street. What’s important is understanding your motives and intent and having a clear definition of your history so that as you walk into uncharted territory, you at least have an idea of what you’d like to find. For me, one of the things I seek is the Dreamcatcher and it’s with the XP1 and hopefully will be for a good long time.
February 22nd, 2014 ….. Fuji XP1 & 18mm …..The Trick and Other Ramblings From The Street.
XP1 18mm 1/250 f/5.6 ISO 6400 DR100
So I was returning a ZIPCAR to it’s home in Center City and decided to drive down Kensington Avenue. I had the XP1 and the 18mm on because it’s the most natural FOV I have. I never have to guesstimate a frame, I just raise the camera and it’s usually 90% on target. So I was cruising and I felt like a John looking for a Trick. Then as I approached the Lehigh Avenue Bridge, I see this girl walking underneath. It’s a famous spot for picking up girls that need money for whatever. I know about this because I am a man of culture, well…street culture. I was working on a series out there at night time photographing the dealers, hookers, thieves even many cops that I know. Anyway, I realized that i finally found my trick and she made a nice shot for me. Hey…hey…photo only, ok!
Fuji XP1 18mm 1/250 f/8 ISO 320 DR100
I got a thing for Icons, most will trigger me. You can read what you want in this shot as it’s open to viewer interpretation. For me, it’s just a continuing “Sign Of The Times”. The thing about the 18mm is that it lets me get close and I love that. Most times when I use a different focal length, I feel restricted. So much so that the restriction starts on loading the lens on the camera. Last night I put the 35mm 1.4 on and was excited about using it this morning. So, I came into the back room that’s not my photography office but just a converted room for whatever Tanya wants to do with it. As I entered my office, I could see Andre’, my XP1, starting to get excited about going on a walkabout. My friends in OZ tell me that, that’s what I do, I go on walkabouts. As I drew closer to Andre’, he looked somewhat put off. He winked at me thru the OVF, cameras can’t wink from the EVF, must be an OVF. I got the message. See, he’s a real gentleman and he didn’t want to upset the other lenses on the shelf but he wasn’t going anywhere without the trusty 18mm. So I pulled the 35mm 1.4 off and placed it on the shelf. Then as the 18mm was being loaded on Andre’, I could feel that he was right and things were better this way.
XP1 18mm 1/250 f/8 ISO 400 DR100
I always ask the homeless when I can if they go to a shelter. Many do but many also say, it’s not safe and they will take their chances on the street.
remember many years ago that I was shooting as a freelancer for the Bulletin Newspaper here in Philly. I guess it was around 1974. I was home from Nam already and the Editor Jack, felt safe that I could handle myself out there. So I spent a month on the street. I just had my M4, 35mm Cron and bunches of Tri-X. There was a section around 8th & Vine that was called The Bowery or Skid Row. I got into a few scraps but nothing serious. I slept where the bums, (The city leaders called these homeless people BUMS). Ok, I’m a bum now too I thought. I met a white guy that appeared to be about 45 or so. One of the guys told me to talk to him cause he’s real interesting. Turns out he was a Doctor. He did all the medical things he could for the guys and gals and I asked him one day what the heck he was doing there.
He said he was from Bryn Mawr and he caught his wife cheating on him. They had 3 kids. I said, so get a damn divorce. He replied, never, it would cost me more that it cost now. I live on the street because I want to, I want her to suffer as much as I am and when the money runs out, I won’t care. I asked about his kids and he said they will never want for anything. I found many interesting stories out there and many. many powerful photos.
When I see a person like this, above….my heart and mind go right back to 1974.
XP1 18mm 1/250 f/8 ISO 640 DR100
Dreams come in many shapes and thoughts and ideas. I saw this woman with her 2 kids and I thought, what would of happened if I didn’t get a divorce from my kids mother? Simple answer is probably I wouldn’t be shooting my XP1 or playing my Strat’s and Tele’s. The kids are fine so……end of that…!
XP1 18mm 1/250 f/8 ISO 320 DR100
I was looking thru the glass that was sweating and I saw this woman looking back at me. I was flattered of course, I ain’t stupid but not flattered enough to miss the shot. She walked to me and asked if she could see what I took. I told her, I didn’t too anything, I made a very nice photo of you. When she asked if I could send her a copy, of course I was flattered again. Funny what young woman can do to the process……
XP1 18mm 1/250 f/8 ISO 4000 DR100
So I’m walking to 2nd Street to get on the Elevated to go home. I walked up on these 3 gals and of course I asked if I could make a photo. I very rarely do that. But I had to this time.
They were flattered and I asked them to move to this window about 5′ away. I made the photo, 1 shot and they asked what I would do with it. I said, I’ll submit it to the Most Beautiful Gal on Market Street Contest. The one in the center blushed and asked me if I knew what was up with them. Of course I said, but your right….Tranny’s aren’t allowed to enter the contest…YET! They all smiled and called me cute…..well, it’s all in a daze on the street.
Have a good weekend…..
February 20th, 2014 ….. Fuji XP1 Street Shots with the 15mm Heliar
So I’m standing on John F Kennedy Blvd around 15th Street and I’m minding my own business talking to Olivier on the iPhoney 5. Well, Andre’, Andre’ is my Fuji XP1 and youse all know that ’cause you read my blog on a regular basis, anyway he’s starting to shake and vibrate in my hand. I have to talk with Olivier I said to him but he insisted that I pay attention to him. So my thumb got to the soft release and I started to look…..Andre’s told me that he would handle the framing and exposure, all I had to do was press the shutter when he said to. After a few seconds this guy comes into the scene and I can see my reflection but more that that, I can see the photo as I am bout to make. then all the sudden….CLICK!
I’m prepping for a workshop soon and one of the things I push and push hard is JUXTAPOSITION. It’s a multi-faceted concept but one I feel is most important to learn. The above is an example I know will bring up ideas and conversation.
Whats very cool about the XP1 with the 15mm Heliar is how close you can get to things and even crazy people. I’m right under this guy and I used the OVF. I can see the 4 corner brackets to frame and my experience is they are accurate but with the 15mm, it’s off on the right side. I’m not anal about this sort of thing and if you are, flip the lever and use the EVF. So I saw this guy doing his thing and all the people except me were moving away from him. I mean they were really getting space and that was good for me as I could move in close like I try to do in this situation. Well,as I was walking I set the aperture to f/5.6 and bent down right in front of him….I’m quick and I try not to rush at all….so I was taking my time and this guy never knew I was close enough to him to smell the Coors Light coming from his breath.
Color doesn’t really excite me but I am open minded to what it brings to the image. Eh…sometimes ya have to surrender to the voice of the photo no? Well, ifI have to do color, at least it’s my favorite dominate. I’m telling ya, I was so close to this guy that I didn’t realize it until I looked off camera. I used the EVF here so I can’t see anything but thee screen. So I backed up again and moved to where the color worked and the sign related to the man and then I waited for him to see me and as he looked …..CLICK. In a second he asked, “how do ya like the XP1? I was in shock…I mean how could he have known about Andre’? Si I handed him the camera and he smiled and I mean really smiled. He asked how much and I explained the about price and directed him to a store to get it. I gave him a list of mush have lenses and he was happy and so was I.
My Dreamcatcher series is developing very nice and I have a very good response and print sales. So whenever I get the chance, I ….CLICK.
Tomorrow is another day and the weather promises rain and warm temps………..
February 19th, 2014 ….. Fuji XP1 Takes A Day Off … Fuji XE1 Call To Duty
So I was laying in bed waiting for Tanya to call me down for my morning cup of Kona Coffee. I’m not getting into this but KONA is the FUJI of coffee…nuff said! I could hear a whining sound….like…WHAAAAA! Well, it wasn’t Tanya, nah she would just downright get in my face….nope not her. I figured it wasn’t Barsik the Russian American cat and I figured it was coming from the back bedroom that now is converted to my photography work area because I’m not allowed by the Russian Czar wife to call it an office because I don’t work anymore cause the Gov’t says I can’t.
The sound was definitely coming from the back office area. (Tanya is downstairs so between you and I, it’s the office, shhhhhh). It was not a high shriek but more of a soft moan. Ya know that sound ya heard when ya was making that first real kiss and that’s the one that gets you thinking like an adult from then on out….yup…that’s kinda like the sound. Ok, youse all know I name my cameras. My XP1 is named after Andre’ Kertesz and my XE1 is named after Ding McNulty, curator of Prints and Pictures at the Philadelphia Museum of Art.
Well, as I entered the back room that’s an office but I ain’t allowed to call it that because the well…da wifey don’t like it….I could hear this moan coming from one of my camera bags. Yeah, no kidding…..I thought to my self….self, what the heck is going on here? Well, Andre’ said to me in a very soft accent, I’m tired and I want the day off. Ding and I had a talk and you have been ignoring him and we are not amused…at all. So Andre’ continued and said, you will take Ding today and he wants the Fuji 27mm that’s confused because it’s a 27mm but acts like a 40.5mm lens. Furthermore, I will get a much needed day off and sleep inside the Billingham clasped shut so I won’t be disturbed.
So Ding and I set sail to Center City. The XE1 is like a really compact camera especially mated with the 27mm. From my memory banks, I compare it to the Pen 3 and 20mm over there at MU-34.com It slips in and out of my pocket very easy and the thing is…..I love the EVF finder in it. I know, I know….but I can’t resist, I just surrender to the cameras elegance.
What happens is that I have the camera on a nice leather neck strap that is very soft and supple. I wrap it around my wrist and just walk around. Then, I raise the camera to my eye and frame and shoot. It amazes me that as a screen shooter, I love the finder on the XE1. The XP1 is a different story and is on vacation. The XE1 with the 27mm will allow the shooter to work in the open without being intruding and or nervous. The cool thing that most shooters hate is: the aperture ring is lost and not on the lens. I think Fuji forgot to install it and then an engineer figured, lets just let the shooters change f/stops with the rear buttons. Now, I gotta say, that is a great asset to the outfit.
The Fuji guys are really smart. Dig this….if your using the 27mm it thinks and acts as a 40.5mm which is an ideal street lens. Well they knew that your on the street and they made the lens small and put real fast and accurate AF in it. They also knew that at the 40.5mm FOV, you most likely won’t be using Hyper Focal distance or any real zone focus stuff.
So, when you use this lens, you are really set free to just work on the street and other places and not be too concerned about looking like a PRO or something. I like looking like an amateur out there and working above a PRO level which is what I do.
See that boid up there far right corner. The XE1 saw it and nailed it….I love this shot, it’s about Fuji and it’s about the street.
Ya know, I made this shot because I enjoyed doing it. It’s really low light and the finder worked better than anyone elses. I hear all kinds of negative things about refresh rate etc….gimme a break..go refresh your …uh….well….just do it. The XE1 just is a pleasure to carry around and beings a screen shooter, the finder is wonderful.
I think I need to take Ding out again tomorrow. Andre’ needs the break and I just want to see 40mm for a spell.
Till then…..go in Peace but go with a Fuji X in your hand……………………………………………
February 18th, 2014 ….. Fuji XP1 & 15mm Heliar Misadventures on the Street
I’m guilty and I admit it. First let me explain.Please, let’s just keep this between you and me. See, it’s a law that shooters use their cameras to make WORK, right? Of course. I’m one of the biggest supporters of the “We are not playing with our gear and we are making work with our photography so don’t say it’s playing movement.” Well, I’m coming out of the closet….NO, not that one..the closet where having fun with your XP1 is. See, here in Philly, it’s against the law to have fun with your camera. Nah…you can have fun with all the other cameras in the world from this planet or any other…well except…Venus. I hear from a distant cousin that Fuji doesn’t have a dealer on Venus yet. So with any camera out there, you can have fun and PLAY with it. The FUJI XP1 is a real camera for real men and real woman. We doin’ need no playin’ ’round with out XP1’s We are too busy making great photos with it.
Well, what happened is that I got caught by the international do not have fun with your XP1 club and just told them I can’t abide by their rules no more. You know Roger? Yeah, yeah…the gut from the post right before this one. Well, Roger would send me anything I need or want, no questions asked. Of course, what Roger giveth, Roger will taketh away. So the point is that I have or could have access to any camera out there. I’ve used many Leica’s and the M4 is by far the best camera for me. See, there’s no stupid light meter to contradict what I say the light reading is. It ain’t got no Auto ISO or anything. Great camera, wonderful friend. So what I’m saying is that no camera YET has given me the experience to the Leica M4….and then…..!!!!!!!!!!!!!!!!!
The experience of using my M4’s has been updated to the XP1. Yeah, I know…this is a stretch. It’s not really because….my mind has certain wants and needs from the camera. The XP1 gives my mind the juices similar but not exactly like the Leica. I don’t expect anyone to understand this but I tell ya, it’s a darn pretty picture. If you think of your camera as a tool, you will never understand this and really, the XP1. It is most definitely not a tool. It is a camera that given the chance will become your friend.
Check out Thomas Menk because he’s a real FUJI guy, I’m just a user. He has all kinds of stuff on his site. I don’t know exactly what he named his camera but looking at his work, it’s obvious he has a good friend and not s tool.
So, this is the first camera in probably 25 years that hets my juices flowing so easy and so solid. I’ve had many other cameras but they just didn’t float my boat.
I got more stuff tomorrow as I’m on the streets dodging slippery ice patches and kids throwing snowballs at me, all kinds of mean nasty ugly stuff to turn into with my XP1.
seeya then……………………………………
February 17th, 2014 ….. Fuji XP1 & 15mm Heliar ….. Ideal Street Combo!
Look, we all know how good and adaptable the XP1 is. That’s info known since it’s birth. Fuji make an adapter for M Mount lenses that’s better and smarter than anything else available. It’s got good communication skills with the camera. It’s not the smartest thing to have around because even if you tell it that you have a 15mm lens on, it still can’t figure out what f/stop the lens is at. That’s ok anyway because I always know where my exposure is set, except most times I let the camera choose ISO.
The 15mm Heliar is a lens that helps define me. I used a 21mm on my Leica M’s for a spell but didn’t really crave it. With the XP1 there’s a definite affinity that gets me going on that FOV. Sometimes I need to be set free. Well, free within the guidelines established for my work. I guess it’s called pushing the envelope. Yeah, yeah, that’s what I’m doing…pushing the envelope. Funny thing is, that when I use the 15mm, (22.5mm FOV)….I feel perfectly natural in that space. See, it’s about space and how you deal with the boundaries that the lens imposes on your frame. The 15mm gently forces me to get closer to everything. I guess in a week or so I’ll be in peoples faces more than I am now.
One of the key things to the Heliar is the Focus/DOF Scales. I am so used to working that way that this is a welcome unlocking of the firmware in my AF mind. I remember when Nikon came out with their AF lenses way back before…uh…..oh yeah, back then. So I went to a demonstration of the new technology and everyone was excited because the cameras could now focus for you. Well, I had a few nasty looks and a few gasp because my M4 was around my neck. This is a Nikon event, we doin’ need no Leica’s ’round here!
So they set the camera up on a tripod so they could control what the lens was seeing. We weren’t to know that was important. Anyway, The guy set’t the camera up, hits the shutter and the camera starts to AF…it’s making sounds and looking like something from outer space, 60’s style. So we all went to lunch, had a beer and in about 45 minutes, we all went back to look at the camera. WOW! It’s almost done focusing. Yep…..that’s about it for that. I’ve never complained about AF in any camera because I know what slow really is.
Ya know, the XP1 is a very adaptable camera. Well, maybe it’s the way it allows me to adapt to what is going on in my head. Other cameras may do this also but look, really…who cares?
Try this on for size. My very dear friend Roger spent the last week here in Philly after selling his Ranch in Adelaide Australia. So I was helping him process…uuh…hold on, that’s not correct. Roger was giving me files to process and he was helping me by telling me what to do. Big help Roger. Well, after I showed him how to use some of my Primo Presets, he asked if I could clean some sensors for him. The way he cleans his sensor is to send the cameras back to Leica, Fuji, Canon etc. I laughed. Of course, lets start with the XP1.
Well, I setup the desk for Sensor Cleaning Procedures. Set the airbrush up, all the Eclipse etc. His XP1 sensor was soooo dirty that if MOSES saw it, there’d be another Commandment! I got it right and then moved on to the Leica’s. The M9 and Mono were not bad but the 240 was like a table after a picnic. It took 7 passes to get it pristine. Then, out of nowhere, all by itself, looking at me like the camera from hell….The X100s said…..CLEAN ME!. Hmmm, I thought….Roger…this is one of the cameras you should send in. Why he asked. See, if’n the lens comes off…it’s a real camera and ya can clean it…if’n the lens ain’t a comin’ off….well…..
I think something clicked in his head ….at last. I have explained to him over and over to stay away from non removable lens cameras. Now at last, he gets it.
Now between you and me…..he can well afford to do anything he wants with his cameras. I seriously doubt he will dump any….so…..Roger left for Paris Sunday and then to Hong Kong and then back to Adelaide and then back home to Philly. Then of course I’ll have to clean the sensors again….so what….
This is just ramblings because it’s crappy weather here and cold and I can’t stay out long because I have a Russian wife that wants reports from me on conditions outside and when are you getting home for Green tea?. ….
Let me just tell you some truths…as I and you probably see it, them…whatever. As a street shooter. I have very little tolerance for intruding gear. So, working with the XP1 and the 15mm Heliar, I can set the focus scale to the DOF I want and all I have to do sometimes, is check it’s position. No biggie. Then I guess I have a real camera that just works with me to get what I see out there and in my head. It’s a very fast way to work and ya have to be fast because your inside the zone with this lens. I mean your inside the subjects comfort zone and that means you need to get in and out quickly due to respect issues.
I hope to get out tomorrow but rain is in the forecast. It looks like Wednesday will be better……
End Transmission………………………………………………………………….
February 15th, 2014 ….. Defining The Self Thru Your Photos ….. Part 3
One of the things I teach at my workshops is: recognizing your images before and after exposure. I talked about this in Parts 1 & 2 but it’s something that must be embedded in the mind so that the eye & heart can work together to find the images. Sometimes ideas seem strange and we don’t embrace them freely. We hesitate because the idea doesn’t fit the preconceptions implanted in out mind by outside sources and worse….by our own doing. This is a challenge that if accepted, may lead to a new understanding of what our photos look like. It could add to the very definition of what we are photographically.
This series of photos are made exactly for this reason and exercise. I guess it’s about finding a synergism between the eye, heart and mind. Lets think of the eye as Photography and the mind as the camera and the heart as the excitement of a new undiscovered image. So what happens is that if we are attentive to what we are doing and what’s doing us, we can grasp the moment and enjoy the stretch of the mind, outside the box.
Tanya doesn’t really get photography beyond family snaps. That’s cool and I torture her with my cameras and photos of her in all kinds of different situations. She always rejects the photos. So when I decided to move the camera around free space, she looked at it and told me I was crazy and I need to see my VA doctor right away. When we got home, I loaded the photos into LR5 and called her to look…….she loved these because they presented a new way to use a camera and make photos. She opened her mind to the possibilities.
Of course this in no way eans that permission is granted to make photos of her, it just means that she will look at the photos in a different way.
I use the Ricoh GRD4 when I start seeing the frame as a box. I know, I know….see it as a window. Of course I know that but everyone should learn to rethink their approach to photography and life for that matter.
The GRD4 allows me to break away from the routine I fall into sometimes. Of course any camera can make you rethink but I program my mind to use the GRD4 especially for that reason. When I pick it up, my mind says…”Uh oh…time to rethink the frame….again”. The camera becomes a backup safety net. It puts me into a state of mind that opens the boxes and lets me see them as windows.
I have a member of my workshop from around 4 years ago. He says that this procedure is just plain ridiculous. So a few times a year he calls me for advice about helping him get past something blocking his vision. We talk for 20 minutes and then I end the conversation my saying….”get a safety net camera”. Eh….he won’t do it because it’s a ridiculous theory but he’ll cal me in 6-8 months.
There exist many photos out there waiting to be born. Within those photos lives many that are just beautiful images that are for you to add to the definition of your self. If you can’t find them it is your fault and not theirs. If you focus on your Eye, Heart and mind then out there are those photos waiting for you. If you don’t focus on your Eye, Heart and Mind, those images are still out there but you won’t find them because someone else will……
have a good weekend………
February 13th, 2014 ….. Fuji XP1 Explores The 18mm
18mm 1/60 f/2 ISO 200
We all know the Fuji XP1 is an amazing camera. Ahhh, it’s a gimme. Ya know…I get hit with emails, pm’s on forums, text messages etc about how I’m not getting the most from my camera because I’m using the weakest link in the Fuji lens lineup, the 18mm.
Weeeelllll! EXCUSE ME! Sorry about being born, I mean if I knew what I do bothers you, I’d take it into consideration and do what you want….YEAH RIGHT! Hold your breath, count to 14000 and I’ll use the 18 to make a photo of you being planted next to the tomatoes.
Oh, am I being sarcastic? nah…. See Barsik up there…..yeah, the cat photo. Well, that’s made really close up. Seriously, it’s not Macro but it’s about 5-6″ from his eye. That really opens up another view of your world. It doesn’t open up my world cause I know about how good the 18mm is but it does to you cause your reading this in secrecy and want to find out but not let anyone know that you have hidden feelings for the lowly 18mm. That’s ok, I will never check you on it and never mention that you absolutely adore this lens, especially on a forum. Your safe with me.
There’s good resolution, nice Mr Bokeh and the tones are really nice. I probably could have sharpened it more but that’s my buddy and the photo is warm like him.
18mm 1/60 f/2 ISO 800
This is at 800 and f/2 really close. It’s not bad for a lens that can’t deliver. Yeah, the 35mm is much better. I have it and like it….it’s in my camera bag some place and maybe before the Spring starts, I’ll try to find it….yeah, sure is a great lens.
18mm 1/60 f/2.8 ISO 800.
This photo is made for my Mother In Law in Tula Russia. She sent this to me so that my wife Tanya and I could have memories of her and Tanya’s home while we eat.
When I process images, I take personal liberty to make the resultant equivalent image feel the way I feel when I look at it. Sorry, but I don’t try to stay in the conventions that inhibit most photographers. Tanya, my wife said that MOMMA will cry when she sees this photo. I won’t know for a spell because I had the photo matted and we sent it by mail this morning. Momma doesn’t have any computer, digital anything. It’s ok, even tho’ it felt strange to feel a print again. Maybe it’s time to turn the darkroom on again……hmmmmmmmm nah, nope!
18mm 1/125 f/2.8 ISO 800
What the 18mm has that is most attractive and useful is it’s DOF. It allows you to work very wide in aperture and still get a image that represents the scene very well. It doesn’t blow out the background unless you want it to. The XP1 is extremely fast to work with. I hear tell about people cursing the camera cause it’s not fast enough to AF. TSK…TSK…Gimme a break will ya. I will share one of the ways I use the 18mm and post the table at the end of this post.
18mm 1/125 f/4 ISO 800
Did ya see all that flare from the 18mm….terrible ain’t it! What the heck are you smoking? There ain’t no dang flare on the 18mm here in Philly. If you have it where you are, move just a slight bit to the left or right…see…..bye flare….sheeesh. The XP1 is very nice to work with the 18mm. It’s a good lens on the XE1 and XE2 also but it doesn’t work on the X20. Once I used my Hammer and Chisel on the X20 and got that stupid lens off….well, the 18mm wouldn’t mount…..neither would the X20 lens.hmmmmm must be a better way to mount/unmount a lens.
18mm 1/125 f/4 ISO 800
I have billions more photos from this combination but I just wanted to take a non serious serious look at the things the 18mm can do that other’s say it can’t. If you really love photography and use Fuji cameras like everyone that loves photography, I urge you to try the 18mm.
Never let anyone put stuff in your mind that you can’t sort out and dismiss. It’s nice to read things on blogs and forums but you have to learn to make your decisions from the info you trust. That info is what you sort out in your brain and can apply to the situation at hand. The 18mm gets a bad rap because of this vicious cycle. Guys post on a forum that it’s not as good as any other lens and then you put that crap in your head. The brain processes that info and form that point on…you have to struggle to make a change in your thinking.
Your photography belongs to you. If you decide to share it, fine but it’s not necessary. What is of the utmost importance is that YOU STAY TRUE TO YOUR VISION.
You do that by being in touch with your Eye, Heart and Mind. If I think about all the photos that would never have been borne because I listened and didn’t use the 18mm….it breaks my heart.
18mm 1/60 f/2 ISO 800
Here’s the method I promised.
Lens focused at 10′ Use Manual Focus. Watch the focus ring, it has a sense of humor.
4.0 5.72 – 39′
5.6 4.8 – Inf
8.0 4.9 – Inf
11 3.2 – Inf
16 2.5 – Inf
Lens focused at 7′
4 4.6 – 14.7′
5.6 4.0 – 26.8′
8 3.4 – Inf
11 2.8 – Inf
16 2.2 – Inf
I didn’t do this in meters because I use the foot thing. It comes directly from the DOF Master tables. I keep this in my iPhone 5 on a note. Then I can check things out on the go and I go a lot.
Thanks for stopping by…………shooter out……………………..
February 11th, 2014 ….. I Shoulda Carried The Black Fuji X-Pro1
So I was walking home from town. I had to drop off the Fuji X-E2 that the Inspired Eye was doing an observation of. You’ll see it over there after Olivier gets it up. Anyway, I’m freezing….my hands are really cold. Yeah, I have gloves but there are in my pocket. See, I was carrying the Ricoh GRD4 because it blends in with the snow really well because it’s white.
See all the snow in the photo…see the camera…nope, I told ya so. Well, there’s a reason I go to the VA Hospital and get to talk to the nice Doctors there. There’s a reason I have a Russian wife that explains why I’m doing things wrong all the time. It’s ok, I think that mostly they are right. So I thought to my self….“Self, we should use the White GRD4 because there’s a lot of snow around and the camera will blend in and be almost invisible.” It does sound reasonable. My doctors would be happy that all the time spent updating the firmware in my head was worth it. The would say to all the medical staff…”We got streetshooter thinking and acting like a semi-normal person, look, he’s using a white camera out there with all the snow.”
They could all sip their fancy wine and Single Malt and smoke real nice Cuban cigars that they could get from immigrants trying to get into Florida but can’t afford to pay the graft so they get turned away and are used as Shark Food but dammit…them cigars aren’t wet…lets light em up.
Well with all this going around my head and being proud of my white camera making snaps in the snow I forgot….I’m wearing a BLACK COAT. See a white camera against a black coat….well, you ain’t out boy anymore. Send em’ back to the factory……
See that guy up there…yeah, the one in the photo….it’s 24f out…I’m freezin’ my butt off, everyone thinks I’m nutz cause I think my white camera will be hidden from view against my black coat…..what about that guy……..and you think I’m nutz?