Tag Archives: Fujifilm XE1

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 5th, 2014 ….. Enter The Fuji X20 ….. Again!

March 5, 2014 streetshooter 38 Comments

If you go back to last year on my blog post, you’ll see that I had an X20 and was very excited about it. I do remember developing a set of presets for it but alas…they are in digital oblivion. So I have to start all over again. Anyway, Olivier sent me the X20 because he could and John the DC Shooter sent me a package with goodies to finish the camera off.

So I took the X20 out for a walk and we ran into some photos I missed with my other cameras. I’ll post them on this post but have to improve the IQ to suit my needs.I remember the camera as being a GRIT Machine and that’s ok within reason but it’s important to be able to clean up the files also.

As a street camera the X20 opens up a few possibilities. First off of course is the addition of as Zoomie lens. It covers 28mm – 112mm. The interface is the usual Fuji layout. You don’t have to fight with the X20. It just works with you and supports what you are trying to do with it.

I haven’t names it yet but I’m thinking of Walker again. Of course Walker is after Walker Evans. Dunno, not sure but I am open for suggestions.

How’s this……: You the loyal faithful readers of this blog…if you post a name in the comments and it gets selected, then I’ll name the camera after the name you submitted and send you a real good set of presets. So, get that brain cell working and submit your name for the X20.

That solves that issue. The streets in Philly are cold, windy and in a state of numbness, not because of the weather directly but because of the weather indirectly. It’s taking a toll on me and the other Market Street Dwellers.

It’s not everyday in Philly you see a woman wearing a Leica 240 and a 35mm Cron. She wears it well but her choice of a hat is definitely not Leica. Tsk…Tsk….!

Inspiration is not where you think it is or even should be. I used to love to teach workshops in the winter and then my DR at the VA said I was maybe crazier then they thought. After a few years, now I see the light and it ain’t the winter light either.

The responsibility of a teacher, mentor or friend to a shooter is to provide stimulation, inspiration, some answers and of course more questions. I now at 64 feel inadequate to fulfill this mission in the winter. It’s not the actual age that hinders me but the knowledge I’ve accumulated in those years. I know that I am more self inspired in the Spring, Summer and Fall. Notice the Winter is excluded…..! I have a hard time even doing my responsibilities at Flickr and forums. I try but I’m more withdrawn and feel that one should be as honest as possible when providing inspiration to another. Oh….sorry…the Fuji X20.

I think Olivier knew I was on a soft slide down. Oh, I do what I need to do for the Magazine but for myself, not much. He sends me the camera to inspire me and of course I’ll have to spend time making Presets and by the time it’s all satisfying…the weather will have changed and I’ll be off and running once again.

Don’t think fer a second that I’m depressed….no way….uh uh…ain’t nuttin like that! I just am tired of the weather dictating how and what I should wear, make photos of, spend my time on the street,etc…..

I’ll be back…….. Don’t forget to drop a name in the comment box and collect your set of presets…..

Peace………….all over ok……….!

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 3rd, 2014 ….. Fuji XP1 and 35mm 1.4 … Kills The Fuji XT1…) for Me!

March 3, 2014 streetshooter 13 Comments

Let me start by saying that some of this was written yesterday and some of it today. Eh…who cares….

I had to get my Dreamcatcher stuff posted first because of such high public demand. Just kidding but not really. These images sell more than anything else from my artsy fartsy collection. These were all made with the XP1 and the 35mm 1.4. It’s a chore for me because I don’t like the 50mm FOV but yet with the XP1….it’s very natural. I use the OVF 90% of the time and the screen the rest and of course somewhere in my demented mathematical equation, the EVF works in.

So there’s much talk about the new kid on the block. Oh yeah…it’s all over the net and all over the world. The Fuji XT1 is going to break records. I don’t know which records but I’m told big stuff…wait and see. Well….here in Northeast Philly on Montour Street, in the back room that’s converted to an office but nobody works in it just me and it ain’t work if you love it but anyway…..here…the XT1 will never make an entrance. It’s shunned and not allowed to make a presence. Andre’ the XP1 and Ding the XE1 have decided that …we doin’ need no stinking camera with a center mounted evf that looks like a SLR from the days long gone but they ain’t long gone cause many still like that form but here …. we don’t!

The Form Factor

I don’t think the form factor of the XT1 is something I find attractive, in fact I know it isn’t. I’m not going to make a realtime comparison between the XT1 and XP1 but I do want to get a few things off my chest. I speak for my self and whoever else is in my head at the time of this writing but you may just find some stuff to think about. That hump on tomp of the body is something I find totally repulsive. Because of that, I can’t wrap my head around it.

It’s a know fact, at least here in Philly that photography is about seeing. More importantly, seeing at the precise moment of exposure…The Decisive Moment…ring a bell? Now this isn’t just about the moment of exposure but maybe a few seconds leading up to it. On the street, avenues, alleys etc, there are many puzzles to find and to try to put together to make your photos. Many elements work together in either positive or negative energy and many times both together that make up your photos.

The ability of the shooter to se these parts before and during exposure is something that has to be recognized as most important. So what happens is something like this: You spot something of interest and you feel a photo ready to be born. You look and then when you think things are either really close or are at it’s peak….you raise the camera to the eye…frame, then shoot. See, here’s where I take issue. With the XP1, this is how I most times do things: I raise the camera to the eye and…I can see my frameline and then I squint the right eye looking thru the finder and open the left eye…this immediately allows me to see the elements outside the frameline and decide if my crop is complete or I need to rethink the frame. Of course, this happens really fast and the hidden elements outside the frame are exposed and I can be more precise in the statement I am trying to make.

This is something every Leica M shooter knows about and probably does. This is not something that should be dismissed or taken for granted…it’s actually lifesaving at times. Yeah, yeah….what about that parallax thing shooter? So what! Things like that are not intrusions, they are things to keep the mind awake and to keep it off AP…(auto pilot). Now I’m not saying that the EVF isn’t a good thing, not at all I’m just saying that all things being equal, the OVF is better for me.

I gotta come back to this but I feel it’s like beating a dead horse. Many shooters understand this stuff and many haven’t a clue. It’s ok, I stated on the get go that the XP1 killed the XT1 for ME! Ya know….the difference between the OVF and the EVF is as strong as the EVF against the LCD screen……WHAT!!!!!!!

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

March 2nd, 2014 ….. Fuji XP1 Battles Winter Boredom

March 2, 2014 streetshooter 5 Comments

It’s the start of March and we here in Philly brace for yet another snow storm. This time the y predict about 12″. Now let it be known that I might be the only person in the Philly region that likes Spring and Summer, even Fall but Winter….well…I’ll leave that to the others, whosoever they be. I feel totally inspired to work but my mind and body don’t see things the same way. Non of the parts that make me are in agreement about Winter. Fact of the matter is…..I hate it, most of my parts do. I always did. I always will. The only thing that keeps me going is watching the weather and hoping for warmer weather but….and that’s a big BUTT! I still need to work and make photos just because that like breathing is something I have to do.

Winter brings slim pickens and I am grateful for what ever the XP1 can find. Luckily enough the XP1 has a good AF setup because I trust it as I can’t focus on anything. I guess that’s why I named it Andre’. Just because the camera can enlighten me when the darkness sets in. As long as I’m finding photos and making them, I feel somewhat productive. The doldrums of the cold and snow take it’s toll on my creative energy. I depend on Andre’ to find the light that will shed it’s warmth on my Eye, Heart and MInd.

He is a worthy companion and often presents me with photos that may not be representative of my finest hour but they sometimes don’t have to be, they just need to keep the spark of life breathing through the winter hibernation.

In Philly, some people are so lost from the cold that they just sit on chairs on the street in search of the beach that lives in their mind. It doesn’t matter as all Philadelphian’s understand that and are sympathetic to the cause. Shooters are sparse this time of the year. They find excuses not to go out and just work on their photos from past days and wait till the weather warms the concrete enough to start humping again. Andre’ the XP1 doesn’t really care about the weather. With the adjustable DR, he can adapt better than most to the sometimes harsh light and contrast. That’s why I let him lead me to the light because I can’t see where I am or even think about where I need to go let alone take control.

It’s the weekend here in Philly and I am already anticipating the new storm. No, not the Snow Storm but the Storm called Inspired Eye. Now that the current issue is released, it’s time to get to work on the next one. As time consuming as it is, I feel that it must continue and support the community. Anyway, I need more Kona and have to get on my way…where too, dunno but somewhere and of course Andre’ is all ready to show me the light.

………………shooter out……………………………….

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

February 28th, 2014 ….. Issue 7 Inspired Eye is Released!

February 28, 2014 streetshooter 4 Comments

Here’s the link for the new issue……get it while it’s hot…. www.theinspiredeye.net

Enjoy your weekend and I’ll be posting again on Monday now that I’m out of the hot seat.

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

February 25th, 2014 ….. Fuji XP1 And The Dreamcatcher

February 25, 2014 streetshooter 10 Comments

Andre’ (XP1) woke me early this morning and he was nervous. Apparently the Fuji XP2 is being designed and he’s concerned that he would be replaced by the youngster. I told him not to sweat it because regardless of what the new kid in town has, he is still and will always be a good friend and be up to the task.

I’m a street shooter and because of that, I work on different themes or series all the time. I know my trigger mechanisms but remain open to something new. I don’t like to be predictable and I don’t like to lose the sense of wonder and excitement. So, the way I work is to let my images find me. Of course I have to know how to help them along and Andre’ is the biggest support I have.

The Dreamcatcher Series get’s it’s start around 1978. I started using Kodak Infrared film and designed a developer to go along with it. Then, to follow suite, I mixed a print developer so that everything was in sync. There was just something in the way the tones reproduced and read. I really fell in love with it and I started carrying 2 M4’s. One with TRI-X and one with Infrared.

Enter the digital revolution. It was a revolution for me as the war waged between my darkroom and computer and Leica’s and digicams. It took a few years to make the transition. As I look back at my history, I see that the Dreamcatcher Series is most responsible for the transition from Film to DNG. Presets man, Presets! I had always been a very good printer in the darkroom and I thought that meant a look in the photo. So, preset baking became a part of what I do.

Ya know…it’s all about your frame of mind on the street. What’s important is understanding your motives and intent and having a clear definition of your history so that as you walk into uncharted territory, you at least have an idea of what you’d like to find. For me, one of the things I seek is the Dreamcatcher and it’s with the XP1 and hopefully will be for a good long time.

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

February 22nd, 2014 ….. Fuji XP1 & 18mm …..The Trick and Other Ramblings From The Street.

February 22, 2014 streetshooter 5 Comments

XP1 18mm 1/250 f/5.6 ISO 6400 DR100

So I was returning a ZIPCAR to it’s home in Center City and decided to drive down Kensington Avenue. I had the XP1 and the 18mm on because it’s the most natural FOV I have. I never have to guesstimate a frame, I just raise the camera and it’s usually 90% on target. So I was cruising and I felt like a John looking for a Trick. Then as I approached the Lehigh Avenue Bridge, I see this girl walking underneath. It’s a famous spot for picking up girls that need money for whatever. I know about this because I am a man of culture, well…street culture. I was working on a series out there at night time photographing the dealers, hookers, thieves even many cops that I know. Anyway, I realized that i finally found my trick and she made a nice shot for me. Hey…hey…photo only, ok!

Fuji XP1 18mm 1/250 f/8 ISO 320 DR100

I got a thing for Icons, most will trigger me. You can read what you want in this shot as it’s open to viewer interpretation. For me, it’s just a continuing “Sign Of The Times”. The thing about the 18mm is that it lets me get close and I love that. Most times when I use a different focal length, I feel restricted. So much so that the restriction starts on loading the lens on the camera. Last night I put the 35mm 1.4 on and was excited about using it this morning. So, I came into the back room that’s not my photography office but just a converted room for whatever Tanya wants to do with it. As I entered my office, I could see Andre’, my XP1, starting to get excited about going on a walkabout. My friends in OZ tell me that, that’s what I do, I go on walkabouts. As I drew closer to Andre’, he looked somewhat put off. He winked at me thru the OVF, cameras can’t wink from the EVF, must be an OVF. I got the message. See, he’s a real gentleman and he didn’t want to upset the other lenses on the shelf but he wasn’t going anywhere without the trusty 18mm. So I pulled the 35mm 1.4 off and placed it on the shelf. Then as the 18mm was being loaded on Andre’, I could feel that he was right and things were better this way.

XP1 18mm 1/250 f/8 ISO 400 DR100

I always ask the homeless when I can if they go to a shelter. Many do but many also say, it’s not safe and they will take their chances on the street.

remember many years ago that I was shooting as a freelancer for the Bulletin Newspaper here in Philly. I guess it was around 1974. I was home from Nam already and the Editor Jack, felt safe that I could handle myself out there. So I spent a month on the street. I just had my M4, 35mm Cron and bunches of Tri-X. There was a section around 8th & Vine that was called The Bowery or Skid Row. I got into a few scraps but nothing serious. I slept where the bums, (The city leaders called these homeless people BUMS). Ok, I’m a bum now too I thought. I met a white guy that appeared to be about 45 or so. One of the guys told me to talk to him cause he’s real interesting. Turns out he was a Doctor. He did all the medical things he could for the guys and gals and I asked him one day what the heck he was doing there.

He said he was from Bryn Mawr and he caught his wife cheating on him. They had 3 kids. I said, so get a damn divorce. He replied, never, it would cost me more that it cost now. I live on the street because I want to, I want her to suffer as much as I am and when the money runs out, I won’t care. I asked about his kids and he said they will never want for anything. I found many interesting stories out there and many. many powerful photos.

When I see a person like this, above….my heart and mind go right back to 1974.

XP1 18mm 1/250 f/8 ISO 640 DR100

Dreams come in many shapes and thoughts and ideas. I saw this woman with her 2 kids and I thought, what would of happened if I didn’t get a divorce from my kids mother? Simple answer is probably I wouldn’t be shooting my XP1 or playing my Strat’s and Tele’s. The kids are fine so……end of that…!

XP1 18mm 1/250 f/8 ISO 320 DR100

I was looking thru the glass that was sweating and I saw this woman looking back at me. I was flattered of course, I ain’t stupid but not flattered enough to miss the shot. She walked to me and asked if she could see what I took. I told her, I didn’t too anything, I made a very nice photo of you. When she asked if I could send her a copy, of course I was flattered again. Funny what young woman can do to the process……

XP1 18mm 1/250 f/8 ISO 4000 DR100

So I’m walking to 2nd Street to get on the Elevated to go home. I walked up on these 3 gals and of course I asked if I could make a photo. I very rarely do that. But I had to this time.

They were flattered and I asked them to move to this window about 5′ away. I made the photo, 1 shot and they asked what I would do with it. I said, I’ll submit it to the Most Beautiful Gal on Market Street Contest. The one in the center blushed and asked me if I knew what was up with them. Of course I said, but your right….Tranny’s aren’t allowed to enter the contest…YET! They all smiled and called me cute…..well, it’s all in a daze on the street.

Have a good weekend…..

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

February 20th, 2014 ….. Fuji XP1 Street Shots with the 15mm Heliar

February 20, 2014 streetshooter 1 Comment

So I’m standing on John F Kennedy Blvd around 15th Street and I’m minding my own business talking to Olivier on the iPhoney 5. Well, Andre’, Andre’ is my Fuji XP1 and youse all know that ’cause you read my blog on a regular basis, anyway he’s starting to shake and vibrate in my hand. I have to talk with Olivier I said to him but he insisted that I pay attention to him. So my thumb got to the soft release and I started to look…..Andre’s told me that he would handle the framing and exposure, all I had to do was press the shutter when he said to. After a few seconds this guy comes into the scene and I can see my reflection but more that that, I can see the photo as I am bout to make. then all the sudden….CLICK!

I’m prepping for a workshop soon and one of the things I push and push hard is JUXTAPOSITION. It’s a multi-faceted concept but one I feel is most important to learn. The above is an example I know will bring up ideas and conversation.

Whats very cool about the XP1 with the 15mm Heliar is how close you can get to things and even crazy people. I’m right under this guy and I used the OVF. I can see the 4 corner brackets to frame and my experience is they are accurate but with the 15mm, it’s off on the right side. I’m not anal about this sort of thing and if you are, flip the lever and use the EVF. So I saw this guy doing his thing and all the people except me were moving away from him. I mean they were really getting space and that was good for me as I could move in close like I try to do in this situation. Well,as I was walking I set the aperture to f/5.6 and bent down right in front of him….I’m quick and I try not to rush at all….so I was taking my time and this guy never knew I was close enough to him to smell the Coors Light coming from his breath.

Color doesn’t really excite me but I am open minded to what it brings to the image. Eh…sometimes ya have to surrender to the voice of the photo no? Well, ifI have to do color, at least it’s my favorite dominate. I’m telling ya, I was so close to this guy that I didn’t realize it until I looked off camera. I used the EVF here so I can’t see anything but thee screen. So I backed up again and moved to where the color worked and the sign related to the man and then I waited for him to see me and as he looked …..CLICK. In a second he asked, “how do ya like the XP1? I was in shock…I mean how could he have known about Andre’? Si I handed him the camera and he smiled and I mean really smiled. He asked how much and I explained the about price and directed him to a store to get it. I gave him a list of mush have lenses and he was happy and so was I.

My Dreamcatcher series is developing very nice and I have a very good response and print sales. So whenever I get the chance, I ….CLICK.

Tomorrow is another day and the weather promises rain and warm temps………..

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

February 19th, 2014 ….. Fuji XP1 Takes A Day Off … Fuji XE1 Call To Duty

February 19, 2014 streetshooter 1 Comment

So I was laying in bed waiting for Tanya to call me down for my morning cup of Kona Coffee. I’m not getting into this but KONA is the FUJI of coffee…nuff said! I could hear a whining sound….like…WHAAAAA! Well, it wasn’t Tanya, nah she would just downright get in my face….nope not her. I figured it wasn’t Barsik the Russian American cat and I figured it was coming from the back bedroom that now is converted to my photography work area because I’m not allowed by the Russian Czar wife to call it an office because I don’t work anymore cause the Gov’t says I can’t.

The sound was definitely coming from the back office area. (Tanya is downstairs so between you and I, it’s the office, shhhhhh). It was not a high shriek but more of a soft moan. Ya know that sound ya heard when ya was making that first real kiss and that’s the one that gets you thinking like an adult from then on out….yup…that’s kinda like the sound. Ok, youse all know I name my cameras. My XP1 is named after Andre’ Kertesz and my XE1 is named after Ding McNulty, curator of Prints and Pictures at the Philadelphia Museum of Art.

Well, as I entered the back room that’s an office but I ain’t allowed to call it that because the well…da wifey don’t like it….I could hear this moan coming from one of my camera bags. Yeah, no kidding…..I thought to my self….self, what the heck is going on here? Well, Andre’ said to me in a very soft accent, I’m tired and I want the day off. Ding and I had a talk and you have been ignoring him and we are not amused…at all. So Andre’ continued and said, you will take Ding today and he wants the Fuji 27mm that’s confused because it’s a 27mm but acts like a 40.5mm lens. Furthermore, I will get a much needed day off and sleep inside the Billingham clasped shut so I won’t be disturbed.

So Ding and I set sail to Center City. The XE1 is like a really compact camera especially mated with the 27mm. From my memory banks, I compare it to the Pen 3 and 20mm over there at MU-34.com It slips in and out of my pocket very easy and the thing is…..I love the EVF finder in it. I know, I know….but I can’t resist, I just surrender to the cameras elegance.

What happens is that I have the camera on a nice leather neck strap that is very soft and supple. I wrap it around my wrist and just walk around. Then, I raise the camera to my eye and frame and shoot. It amazes me that as a screen shooter, I love the finder on the XE1. The XP1 is a different story and is on vacation. The XE1 with the 27mm will allow the shooter to work in the open without being intruding and or nervous. The cool thing that most shooters hate is: the aperture ring is lost and not on the lens. I think Fuji forgot to install it and then an engineer figured, lets just let the shooters change f/stops with the rear buttons. Now, I gotta say, that is a great asset to the outfit.

The Fuji guys are really smart. Dig this….if your using the 27mm it thinks and acts as a 40.5mm which is an ideal street lens. Well they knew that your on the street and they made the lens small and put real fast and accurate AF in it. They also knew that at the 40.5mm FOV, you most likely won’t be using Hyper Focal distance or any real zone focus stuff.

So, when you use this lens, you are really set free to just work on the street and other places and not be too concerned about looking like a PRO or something. I like looking like an amateur out there and working above a PRO level which is what I do.

See that boid up there far right corner. The XE1 saw it and nailed it….I love this shot, it’s about Fuji and it’s about the street.

Ya know, I made this shot because I enjoyed doing it. It’s really low light and the finder worked better than anyone elses. I hear all kinds of negative things about refresh rate etc….gimme a break..go refresh your …uh….well….just do it. The XE1 just is a pleasure to carry around and beings a screen shooter, the finder is wonderful.

I think I need to take Ding out again tomorrow. Andre’ needs the break and I just want to see 40mm for a spell.

Till then…..go in Peace but go with a Fuji X in your hand……………………………………………

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

February 18th, 2014 ….. Fuji XP1 & 15mm Heliar Misadventures on the Street

February 18, 2014 streetshooter 1 Comment

I’m guilty and I admit it. First let me explain.Please, let’s just keep this between you and me. See, it’s a law that shooters use their cameras to make WORK, right? Of course. I’m one of the biggest supporters of the “We are not playing with our gear and we are making work with our photography so don’t say it’s playing movement.” Well, I’m coming out of the closet….NO, not that one..the closet where having fun with your XP1 is. See, here in Philly, it’s against the law to have fun with your camera. Nah…you can have fun with all the other cameras in the world from this planet or any other…well except…Venus. I hear from a distant cousin that Fuji doesn’t have a dealer on Venus yet. So with any camera out there, you can have fun and PLAY with it. The FUJI XP1 is a real camera for real men and real woman. We doin’ need no playin’ ’round with out XP1’s We are too busy making great photos with it.

Well, what happened is that I got caught by the international do not have fun with your XP1 club and just told them I can’t abide by their rules no more. You know Roger? Yeah, yeah…the gut from the post right before this one. Well, Roger would send me anything I need or want, no questions asked. Of course, what Roger giveth, Roger will taketh away. So the point is that I have or could have access to any camera out there. I’ve used many Leica’s and the M4 is by far the best camera for me. See, there’s no stupid light meter to contradict what I say the light reading is. It ain’t got no Auto ISO or anything. Great camera, wonderful friend. So what I’m saying is that no camera YET has given me the experience to the Leica M4….and then…..!!!!!!!!!!!!!!!!!

The experience of using my M4’s has been updated to the XP1. Yeah, I know…this is a stretch. It’s not really because….my mind has certain wants and needs from the camera. The XP1 gives my mind the juices similar but not exactly like the Leica. I don’t expect anyone to understand this but I tell ya, it’s a darn pretty picture. If you think of your camera as a tool, you will never understand this and really, the XP1. It is most definitely not a tool. It is a camera that given the chance will become your friend.

Check out Thomas Menk because he’s a real FUJI guy, I’m just a user. He has all kinds of stuff on his site. I don’t know exactly what he named his camera but looking at his work, it’s obvious he has a good friend and not s tool.

So, this is the first camera in probably 25 years that hets my juices flowing so easy and so solid. I’ve had many other cameras but they just didn’t float my boat.

I got more stuff tomorrow as I’m on the streets dodging slippery ice patches and kids throwing snowballs at me, all kinds of mean nasty ugly stuff to turn into with my XP1.

seeya then……………………………………

Black & White, Color, Dreamcatcher, Garden, Inspired Eye, Off Street, Philosophy of Street, Photography, Street, Street Photography, Street Presets, Streetshooter, Uncategorized

February 17th, 2014 ….. Fuji XP1 & 15mm Heliar ….. Ideal Street Combo!

February 17, 2014 streetshooter 5 Comments

Look, we all know how good and adaptable the XP1 is. That’s info known since it’s birth. Fuji make an adapter for M Mount lenses that’s better and smarter than anything else available. It’s got good communication skills with the camera. It’s not the smartest thing to have around because even if you tell it that you have a 15mm lens on, it still can’t figure out what f/stop the lens is at. That’s ok anyway because I always know where my exposure is set, except most times I let the camera choose ISO.

The 15mm Heliar is a lens that helps define me. I used a 21mm on my Leica M’s for a spell but didn’t really crave it. With the XP1 there’s a definite affinity that gets me going on that FOV. Sometimes I need to be set free. Well, free within the guidelines established for my work. I guess it’s called pushing the envelope. Yeah, yeah, that’s what I’m doing…pushing the envelope. Funny thing is, that when I use the 15mm, (22.5mm FOV)….I feel perfectly natural in that space. See, it’s about space and how you deal with the boundaries that the lens imposes on your frame. The 15mm gently forces me to get closer to everything. I guess in a week or so I’ll be in peoples faces more than I am now.

One of the key things to the Heliar is the Focus/DOF Scales. I am so used to working that way that this is a welcome unlocking of the firmware in my AF mind. I remember when Nikon came out with their AF lenses way back before…uh…..oh yeah, back then. So I went to a demonstration of the new technology and everyone was excited because the cameras could now focus for you. Well, I had a few nasty looks and a few gasp because my M4 was around my neck. This is a Nikon event, we doin’ need no Leica’s ’round here!

So they set the camera up on a tripod so they could control what the lens was seeing. We weren’t to know that was important. Anyway, The guy set’t the camera up, hits the shutter and the camera starts to AF…it’s making sounds and looking like something from outer space, 60’s style. So we all went to lunch, had a beer and in about 45 minutes, we all went back to look at the camera. WOW! It’s almost done focusing. Yep…..that’s about it for that. I’ve never complained about AF in any camera because I know what slow really is.

Ya know, the XP1 is a very adaptable camera. Well, maybe it’s the way it allows me to adapt to what is going on in my head. Other cameras may do this also but look, really…who cares?

Try this on for size. My very dear friend Roger spent the last week here in Philly after selling his Ranch in Adelaide Australia. So I was helping him process…uuh…hold on, that’s not correct. Roger was giving me files to process and he was helping me by telling me what to do. Big help Roger. Well, after I showed him how to use some of my Primo Presets, he asked if I could clean some sensors for him. The way he cleans his sensor is to send the cameras back to Leica, Fuji, Canon etc. I laughed. Of course, lets start with the XP1.

Well, I setup the desk for Sensor Cleaning Procedures. Set the airbrush up, all the Eclipse etc. His XP1 sensor was soooo dirty that if MOSES saw it, there’d be another Commandment! I got it right and then moved on to the Leica’s. The M9 and Mono were not bad but the 240 was like a table after a picnic. It took 7 passes to get it pristine. Then, out of nowhere, all by itself, looking at me like the camera from hell….The X100s said…..CLEAN ME!. Hmmm, I thought….Roger…this is one of the cameras you should send in. Why he asked. See, if’n the lens comes off…it’s a real camera and ya can clean it…if’n the lens ain’t a comin’ off….well…..

I think something clicked in his head ….at last. I have explained to him over and over to stay away from non removable lens cameras. Now at last, he gets it.

Now between you and me…..he can well afford to do anything he wants with his cameras. I seriously doubt he will dump any….so…..Roger left for Paris Sunday and then to Hong Kong and then back to Adelaide and then back home to Philly. Then of course I’ll have to clean the sensors again….so what….

This is just ramblings because it’s crappy weather here and cold and I can’t stay out long because I have a Russian wife that wants reports from me on conditions outside and when are you getting home for Green tea?. ….

Let me just tell you some truths…as I and you probably see it, them…whatever. As a street shooter. I have very little tolerance for intruding gear. So, working with the XP1 and the 15mm Heliar, I can set the focus scale to the DOF I want and all I have to do sometimes, is check it’s position. No biggie. Then I guess I have a real camera that just works with me to get what I see out there and in my head. It’s a very fast way to work and ya have to be fast because your inside the zone with this lens. I mean your inside the subjects comfort zone and that means you need to get in and out quickly due to respect issues.

I hope to get out tomorrow but rain is in the forecast. It looks like Wednesday will be better……

End Transmission………………………………………………………………….

Street Photography Chronicles by Don Springer